Taunton Machine Knitting Club will be demonstrating the wonders of machine knitting at Craft4Crafters this March.
Tag: knitting
Holes and blanks: reading a knitting machine punchcard
This is something I used to struggle with when first starting to machine knit, and to be honest, it still sometimes needs a bit of thinking before I get it right.
So I put some information together which I hope will be useful to others who find the holes and blanks a bit confusing. It also has some helpful ways to read what is actually being read by the card-reader, rather than what is visible above it.
Lets start with the fundamentals:
Knitmaster/Silver Reed (KM/SR) machines only knit pattern from the punchcard when the side levers are at the triangle and the pattern cam dial is set to the relevant stitch type; F, S, T etc.
Brother machines only knit pattern from the punchcard when the KC dial is set to KC, KCI or KCII, as appropriate to the machine, and when the relevant pattern cam buttons are pressed, MC, tuck, part etc…
However, on both makes the needle positions are the same
| Pattern cam setting | Punched holes | Needle position | Blanks | Needle position |
| 2-col-in-a-row | knit with 2nd colour | UWP | knit with MC | WP |
| tuck | knit | UWP | tuck | WP |
| slip/part | knit | UWP | slip | WP |
On both Brother and KM/SR machines, the punchard line being selected is hidden inside the machine. Seven lines below on a Brother, and five below on a KM/SR.
Brother machines, both punchcard and electronic, pre-select needles before knitting the row. Therefore, the pattern can be interrogated by looking at the needle selection in conjunction with the needle positions listed above.
KM/SR punchcard machines have a card reader with feelers. These are selected according to the punchcard pattern but the actual feeler action is hidden behind the carriage. The pattern line can be manually interrogated by locking the punchcard.
| KM/SR feelers | punched move up and in | blanks stay down and out |
Download a printable version here.
To read more about how a punchcards, read my post ‘Knitting Machine Punchcards, How do They Work?’
Talking to Techknitters Machine Knitting Club
On Monday I had the pleasure of talking to Techknitters Machine Knitting Club in Chicago about my book ‘Single and Double Bed Machine Knitting; the Designer’s Guide’. Although this was published in 2024 the UK, it was not published in the USA until 2025 and I was due to talk to the group in December of that year. Moving house and having a lot of building work in progress meant that I couldn’t manage an online talk at that time, so we rescheduled. The new date came around quickly, doesn’t time fly?
Although several members indicated that they already have the book, I decided to discuss the overall content of book for those who do not yet have a copy. During this I explained my thinking behind the plan of the book and the main intention behind my writing. Following on to this, I concentrated on snippets from each chapter.
One of the reviews of the book mentioned that it is unusual to find design development and process included in a knitting book, so I took this comment as the focus of the rest of my talk working with material from the chapters, ‘Designing with Colour’ and ‘Finding Inspiration and Designing Pattern’.
This section of the talk started by looking at extracting colour inspiration from one of the images used in the book, and then reviewing a sample from the book that had been designed using these colours to work stripes. The practical part of the talk was about selecting yarns, designing another stripe, and revising and developing the design. Each step was shown and design rationales discussed. The sample was knitted and a finished and steamed version was reviewed to which the group gave feedback on how it might be improved/adapted. All in all it was an enjoyable experience.
I will be talking to the group again in August about my latest book, ‘The Machine Knitter’s Guide to Partial Knitting; Seamless Patter, Shape and Form’ which is due to be published in Spring 2026 by Crowood Press.
Reforming ribs on a knitting machine
Reformin, or ‘latching-up’ single bed stitches into a rib structure is sometimes seen as far too time-consuming for a ‘fast’ activity like machine knitting. However, I quite enjoy the process and have written about it and made a ‘workshop’ video of working a 2×2 reformed rib here. I hope you find it of interest and useful.
A ‘wow’ review of ‘Translating Between Hand and Machine Knitting’
I found this review on Facebook ‘Machine Knitting’ group, and have to share it. I was so thrilled that this reviewer ‘got’ the book so thoroughly.
Book Review:
Translating Between Hand and Machine Knitting by Vikki Haffenden
☆☆☆☆☆☆☆☆☆☆ 10:10
“This book ought to be mandatory reading for every new machine knitter!” -me
“This book needs to be on every machine knitter’s manuals shelf, in pride of place, no matter if you use Silver Reed or Brother!” -me
“Where was this book when I was desperately trying to learn how to design lace/translate lace cards between Brother and Silver Reed?!?!” -me
This book is absolutely essential equipment as far as I am concerned! It starts out covering and comparing materials and equipment for knitting, both hand and machine versions. The pictures will blow you away and they only get better. Please, at this point, re-read the title. It does not state ‘pattern’ in the title.
Next it goes into stitch construction and compares hand and machine and final product of each. This book give equal time to both! It goes into yarn fiber types, yarn construction(spinning), yarn types (boucle vrs worsted). The details are absolutely in depth and extremely easy to understand with stupendously clear focused pin-pointed and highlighted photography and exemplary diagrams that compare every aspect of stitches, fabric, mechanics, of hand and machine knitting. It breaks down differences between brands when there are differences, and does not favor either. There are some references to Toyota and Passap, but the main info concerns Silver Reed and Brother. This covers every type of cast-on and cast-off that I could remember!! It isn’t a how-to… it compares them and shows some GREAT visuals of them on and off the needles. Refer to your manual for specifics on how-to cast-on and cast-off. Basically, this book compiled most of the answers to questions I have asked in the past, questions I have hunted down answers to, and questions that I hadn’t even thought to ask. It is utterly fantastic. Only the very last chapter goes into translating PATTERNS between hand and machine…
Buy it! Buy it NOW!
I can not say enough how much you need this book! How much I needed this book… now if I can just convince her to write one on Passap…
No! I have no affiliation with the author… I wish I could say I know her.
Since reading it I have replied, so let’s hope we can converse about knitting I the future.
‘Single and Double Bed Machine Knitting; the Designer’s Guide’
The advance copy of my new book arrived today, and you can see some pages from the book here.
Meanwhile here is a quick look at the book.
I have made a more in depth video introduction to the book, and if you would like to watch this, please keep on scrolling down the page.
Proofreading ‘Single and Double Bed Machine Knitting; the Designer’s Guide’
I am now part way through proofreading my latest book. It’s a lot knottier checking double bed as well as single bed instructions!
The book covers, without stating the obvious, single and double bed machine knitting techniques and design. Brother, Silver reed/Knitmaster are the main machines, but Passap machines are also included in some sections.
Step by step instructions are illustrated as well as explained in the text and at the end of each chapter there is a Design Studio exploring how to develop the techniques discussed in the first part of the chapter.
It’s got to be done before Christmas, so early mornings and late nights are the order of the day. I’m baking mince pies when taking a rest from the screen.
If you enjoyed Translating Between Hand and Machine Knitting, or are looking for the definitive book on machine knitting I think to will want this book. You will be able to pre-order soon so keep an eye out.
‘Single and Double Bed Machine Knitting’; The Designer’s Guide‘ will be published in Spring 2023. Yippee.
Ergonomic knitting machine table upgrade
I’ve been having back problems and unable to use my knitting machine for several months which had been frustrating. Especially as I am coming towards the end of writing my latest book and wanted to knit some of the final samples. The same was of course true of trying to sit down to write the text of the book, or do any work at the computer.
I had seen sit-stand desks, and fancied one for computer work when I first looked at the start of the panedemic in the UK, but they were terribly expensive. My son acquired one for his work as a computer programmer and it looked an interesting solution for spending a long time writing at the computer. I tried putting my computer on a static raised desk, which was great for teaching as I could move about, but then I couldn’t sit down to do the accompanying admin and ended up with real back problems. After the best part of two years struggling with WFH teaching online, (actually we were all trying to do most things online weren’t we) as well as writing a book, my back finally gave up with an acute bout of sciatica
Several months down the line I am still plagued by this problem, and have invested in a sit-stand desk converter. So far this is proving to be a solution for computer work, (along with a timer telling me to take a walk). I chose a converter because I didn’t want to lose the lovely desk my husband had built for me.
Back to the knitting machine. Yes I know this is a round about way of telling the story, but I’m getting there.
The physiotherapist from whom I am receiving treatment for my back problem suggested putting the knitting machine on a high table to improve the ergonomics of working on it. I have long wanted to do this so that I could stand whilst working on it – as if it was a Dubied – but I also sometimes want it lower, for example with or without ribber. The practicalities of moving machines from high table to low table, let alone the space I would need to do this made a static high table a poor solution. Recently, whilst investigating sit-stand converters it dawned on me that I might be able to solve both of these ‘wants’ by using a sit-stand desk as the table for my knitting machine. Having been put off by the price when I had looked before, I did a fresh internet trawl and found the price first these desks has become almost sensible – lots of demand I guess – so I decided to research a combination that would work.
The max load for the lower priced, single motor ones seemed to be 70kilos, and my machine plus ribber comes within that. Next questions were, ‘would it overbalance? and ‘would there be room for the clamps?’ I bought the powered version, frame only and we fitted a separate top so that it could be positioned to address these issues. In fact the frame is pretty sturdy, and the feet quite deep, so the balance works OK and the top overlaps at front and back sufficiently to allow room for clamps. Another advantage of fitting our own top was that the controller could be fixed to the side so it isn’t obscured by the ribber. Cable management was next, and not to arduous and then my machine was ready to zoom up and down – well not too fast!
Price-wise this solution cost probably five or six times that of a standard machine table, but I hope it will mean I can use my machine comfortably both now and in the future. So far its going well, and I am very pleased with the result. The top is wide enough for two single bed machines back to back instead of the double bed if I want to do this at some point in the future. Let’s hope it lasts long enough for me to test this arrangement!
Googling myself again!
I took a quick look at the Amazon page for my book Translating Between Hand and Machine Knitting and thought I would share some reviews.
I notice that subscribe wishes to express their annoyance because the price has been reduced. I fully appreciate how annoying this can be, and wonder if retailers understand how this upsets customers. I felt similarly annoyed when I bought a new drawing tablet only to see it was reduced by £40 in the Black Friday sale two weeks later! They wasn’t much I could do but accept that I’d had two week’s use of the tablet already, (working on my next book). So although this is beyond my control, my apologies to anyone to whom this has happened.
So moving on from issues of frustrated shoppers, here are some of the very nice things said about the book.
JayBards from the US writes, ‘5.0 out of 5 stars Excellent Coverage of Topics, Great Photos and Illustrations’, and finishes the review with, ‘The text is really well-written, very clearly presented, easy on the eyes, and a pleasure to read. This book will become an important part of my extensive library on knitting. In short, I LOVE this book! Congratulations to Dr. Haffenden on an excellent book that should become a classic.’
Thank you JayBard for your feedback and review.
Meceo from Canada writes, ‘This is one of the best books I’ve purchased covering the hand knit patterns converting to knitting machines. It is beautifully done with lots of photos and information to help anyone interested in this type of knitting.’
Sharon Sullivan from the US writes. ‘Very well written book. Haven’t had the book very long, but the time I’ve spent going through it so far, it’s an A+ book. Content is excellent. Photography is excellent. Easy to understand. Definitely worth the cost. I don’t usually do reviews, but think everyone should know that this book will help a machine knitter immensely.’
Its so helpful as an author to get feedback, and positive criticism, (suggesting improvements rather than just pointing out what you don’t like) is the most helpful.
So thanks to all who have taken time to review my book and help others decide if it is right for them.
Top-down knitting resumed
Back problems have meant I need to avoid computers and knitting machines for a while, so I wanted a hand knit project to work on. Digging around on shelves, ( I can’t get at my stash boxes at the moment) I found a bag of knitting I had forgotten about. Inside was the first few rows of a top-down sweater. I remembered how long it took to work out the pattern, (yes I did it myself) and how carefully I chose the yarn. The notes with the pattern are dated 2013, which says volumes about my engagement with larger hand knit projects!
Luckily the moth had stayed away, thanks to ziploc bags, and I haven’t used the balance of the yarn for something else. This seemed a perfect opportunity to get on with my long-lost dream jumper.
I knitted a top-down jumper last winter with good results. Although it has dropped quite considerably due to the stitch I used, do is more a dress than a number. I like the method because you can check the shoulder fit, which is so important, and adjust it before embarking on the larger areas. Monte Stanley wrote about top-down knitting and as I am interested in integral knitting, I find the technique intriguing
I had obviously found fault with the stored knitting because there is an separate neck and shoulder be sample threaded into waste yarn in the bag. On reflection I seem to remember it was discarded because of the shaping finish rather than size. I will unravel it if I need the yarn later on, but at the moment it is useful for reference.
It’s knitted in DK alpaca/wool/silk blend yarn on a very pretty warm stone colour.
I’m using a 4mm circular needle from the KnitPro convertible system. These are very versatile so am using these for this project where they are separate ‘tubes’ to work on. Being able to change the length of the cable means it’s easy to work narrower sleeves as well as the larger circumference of the body.
The design is a raglan sleeve, generous fit jumper with cable panels running up front and back. Shaping is worked fully fashioned along the raglan ‘seam’ lines using lifted left and right increases. My initial sample was not fully fashioned, and clearly the fully fashioning makes a much nicer finish.
I’ve just finished one sleeve, (stocking stitch) with fully fashioned decreases along the underarm ‘seam’, and the fit seems good so far.
Working out the pattern was quite complicated even though I used Designaknit for the basic silhouette. It was easy enough to invert the shapes, but then I had to combine them in-the-round. Some maths later I had a picture in my head, and the numbers to match it on paper. I worked out the positioning of the cable panels manually because it was important to have plain stocking stitch for the raglan shaping.
If I get the next sleeve done I might even got to finish the cable front and back before 2025!
Update : OK, it’s now the end of December and I have completed both sleeves and am part way down the body. So far I’ve used one bag of yarn, (500g) and anticipate using another 200g, making the jumper quite heavy!
The body is slightly flared, just enough so that it’s not a straight tube shape. The increases are worked down where the side seam would be, and at the outer edge of the outer cables every 11th row.
Update January 2022
The jumper is now complete! First blocking fine, now test-wearing before sewing in the ends. Then I shall wash so that it matches the revision swatch and the stitches even out a bit more. Something I noticed whilst knitting was that although this is a lovely yarn it has a tendency to leave fine fibres on the needle so the stitches catch. At first I unpicked and reknitted some stitches, thinking I had miss-knitted the stitches and it took me a while to realise what was happening. Gentle tugging releases the fibres and opened the stitches, but from the tension swatch I can see that washing will even the knit out.
The neckband is a single rib with a rolled edge. The neck band was picked it up into the neckline so is integrally knitted which has a tendency to stretch on top-down sweaters. In the past I have sewn take along the back neck to stabilise the neckline, but Roxanne Richardson on her YouTube channel suggests making a line of crochet slip stitch along the back neck instead. She also suggests using this solution along raglan seams.
Because it’s knitted top down, seamless I’m going to watch the raglan ‘seams’ to make sure they doesn’t drop. If the jumper does start to drop I will also work a crochet slip stitch in the back of the seams to stabilise them.
I’m just hoping the weather stays cool so I can continue to wear my new jumper.
Vikki Haffenden 