I took a quick look at the Amazon page for my book Translating Between Hand and Machine Knitting and thought I would share some reviews.
I notice that subscribe wishes to express their annoyance because the price has been reduced. I fully appreciate how annoying this can be, and wonder if retailers understand how this upsets customers. I felt similarly annoyed when I bought a new drawing tablet only to see it was reduced by £40 in the Black Friday sale two weeks later! They wasn’t much I could do but accept that I’d had two week’s use of the tablet already, (working on my next book). So although this is beyond my control, my apologies to anyone to whom this has happened.
So moving on from issues of frustrated shoppers, here are some of the very nice things said about the book.
JayBards from the US writes, ‘5.0 out of 5 stars Excellent Coverage of Topics, Great Photos and Illustrations’, and finishes the review with, ‘The text is really well-written, very clearly presented, easy on the eyes, and a pleasure to read. This book will become an important part of my extensive library on knitting. In short, I LOVE this book! Congratulations to Dr. Haffenden on an excellent book that should become a classic.’
Thank you JayBard for your feedback and review.
Meceo from Canada writes, ‘This is one of the best books I’ve purchased covering the hand knit patterns converting to knitting machines. It is beautifully done with lots of photos and information to help anyone interested in this type of knitting.’
Sharon Sullivan from the US writes. ‘Very well written book. Haven’t had the book very long, but the time I’ve spent going through it so far, it’s an A+ book. Content is excellent. Photography is excellent. Easy to understand. Definitely worth the cost. I don’t usually do reviews, but think everyone should know that this book will help a machine knitter immensely.’
Its so helpful as an author to get feedback, and positive criticism, (suggesting improvements rather than just pointing out what you don’t like) is the most helpful.
So thanks to all who have taken time to review my book and help others decide if it is right for them.
Back problems have meant I need to avoid computers and knitting machines for a while, so I wanted a hand knit project to work on. Digging around on shelves, ( I can’t get at my stash boxes at the moment) I found a bag of knitting I had forgotten about. Inside was the first few rows of a top-down sweater. I remembered how long it took to work out the pattern, (yes I did it myself) and how carefully I chose the yarn. The notes with the pattern are dated 2013, which says volumes about my engagement with larger hand knit projects!
Luckily the moth had stayed away, thanks to ziploc bags, and I haven’t used the balance of the yarn for something else. This seemed a perfect opportunity to get on with my long-lost dream jumper.
I knitted a top-down jumper last winter with good results. Although it has dropped quite considerably due to the stitch I used, do is more a dress than a number. I like the method because you can check the shoulder fit, which is so important, and adjust it before embarking on the larger areas. Monte Stanley wrote about top-down knitting and as I am interested in integral knitting, I find the technique intriguing
I had obviously found fault with the stored knitting because there is an separate neck and shoulder be sample threaded into waste yarn in the bag. On reflection I seem to remember it was discarded because of the shaping finish rather than size. I will unravel it if I need the yarn later on, but at the moment it is useful for reference.
It’s knitted in DK alpaca/wool/silk blend yarn on a very pretty warm stone colour.
I’m using a 4mm circular needle from the KnitPro convertible system. These are very versatile so am using these for this project where they are separate ‘tubes’ to work on. Being able to change the length of the cable means it’s easy to work narrower sleeves as well as the larger circumference of the body.
The design is a raglan sleeve, generous fit jumper with cable panels running up front and back. Shaping is worked fully fashioned along the raglan ‘seam’ lines using lifted left and right increases. My initial sample was not fully fashioned, and clearly the fully fashioning makes a much nicer finish.
I’ve just finished one sleeve, (stocking stitch) with fully fashioned decreases along the underarm ‘seam’, and the fit seems good so far.
Working out the pattern was quite complicated even though I used Designaknit for the basic silhouette. It was easy enough to invert the shapes, but then I had to combine them in-the-round. Some maths later I had a picture in my head, and the numbers to match it on paper. I worked out the positioning of the cable panels manually because it was important to have plain stocking stitch for the raglan shaping.
If I get the next sleeve done I might even got to finish the cable front and back before 2025!
Update : OK, it’s now the end of December and I have completed both sleeves and am part way down the body. So far I’ve used one bag of yarn, (500g) and anticipate using another 200g, making the jumper quite heavy!
The body is slightly flared, just enough so that it’s not a straight tube shape. The increases are worked down where the side seam would be, and at the outer edge of the outer cables every 11th row.
Update January 2022
The jumper is now complete! First blocking fine, now test-wearing before sewing in the ends. Then I shall wash so that it matches the revision swatch and the stitches even out a bit more. Something I noticed whilst knitting was that although this is a lovely yarn it has a tendency to leave fine fibres on the needle so the stitches catch. At first I unpicked and reknitted some stitches, thinking I had miss-knitted the stitches and it took me a while to realise what was happening. Gentle tugging releases the fibres and opened the stitches, but from the tension swatch I can see that washing will even the knit out.
The neckband is a single rib with a rolled edge. The neck band was picked it up into the neckline so is integrally knitted which has a tendency to stretch on top-down sweaters. In the past I have sewn take along the back neck to stabilise the neckline, but Roxanne Richardson on her YouTube channel suggests making a line of crochet slip stitch along the back neck instead. She also suggests using this solution along raglan seams.
Because it’s knitted top down, seamless I’m going to watch the raglan ‘seams’ to make sure they doesn’t drop. If the jumper does start to drop I will also work a crochet slip stitch in the back of the seams to stabilise them.
I’m just hoping the weather stays cool so I can continue to wear my new jumper.
Having a few smallish quantities of hand spun yarn I decided to dye them.
The first was about 30g of blended tussah silk/wool singles that I’d then plied with itself. This is a slightly textured yarn with an interesting matte surface owing to the silk content. It took the deep purple dye beautifully, although the different fibres had varying take up of colour, so it isn’t quite even.
The second was a black and cream space spun yarn, plied with a solid cream. The solid is made from 50g of cream Suffolk fibre, woollen spun into singles. The second singles, with which this is plied, was prepared on a drum carder in alternating stripes of the same cream yarn and stripes of black Belwin fibre. This 25g batt was then woollen spun into singles, after which the two yarns were plied together into a 50g hank. This combination created a pretty spaced marl effect along a yarn which is reasonably even in thickness throughout.
The completed yarn was dip dyed in the same dye pot as the silk/wool yarn, plus another pink dye I had on the go. It was dipped a little into some yellow as well. Over-dyeing this black and cream marl yarn gives the impression of many more colours than there really are.
I’ve used the silk/wool as a band for a hat and the over dyed marl as the crown.
Today was the deadline for an Infinity Scarf pattern that I had been commissoned to write at short notice, you know the sort of thing that happens!
Anyway, as I’d only finished knitting it last night we had to do the photoshoot today, even though it was raining and grey. So we set off with a collection of coloured umberellas, plastic bags for camera stuff and my nifty, home made, shower-cap camera raincover! Luckily I had been clearing out the bathroom cupboard yesterday and unearthed a bundle of those freebie ones from hotels. I knew they would be useful some day. The other thing they are great for is proving bread, but I digress…
Finding a model at short notice was not easy, but my lovely friend Jo came up trumps, and offered to stand in the rain before shooting off to see her Mum.
It was fun anyway, because I love photoshoots; seeing your knit design come to life on a person is so rewarding.
As always there were loads and loads of shots to sift through, but it was well worth braving the rain for such a nice photo.
I will be releasing the pattern on this website once it has been published later on in the Autumn so do drop back if you would like to knit the scarf. There will be a page for the Infinity Scarf with the pattern, hints and tips on working the pattern, and tutorials for the various knitting techniques used. Techniques used in the pattern, including a great stretchy cast on, are also featured in my popular knitting ‘bible’, The Knitting Book.
Thanks once again to Jo for her stoicism and humour.
Today I finally completed a top-down jumper I started last December! I bought the main 100% wool yarn in Hereford, and the stripes are worked in two odd balls, one Noro and the other Icelandic. I’m looking forward to hearing it next winter.
Due to the virus situation the workshops have been closed at the University where I work, and we are ‘remote teaching’ from now on. That is quite a challenge for a practical subject like knitted textiles.
One thing I have enjoyed over the years of teaching first year knit design students is their excitement and enthusiasm when they realise that they can make their own yarns. Normally I would be running a hand spinning workshop for them next week, but obviously not anymore. We have two spinning wheels and I take in a box of drop spindles. Cartons of fibre are pulled out of cupboards and spill all over the floor, its a lovely day with some wild yarn developments taking place. I think its a great way to encourage them to explore the raw materials of textiles, and also to introduce them to yarn design.
But sadly this year its not to be! So I decided that before they left I would demonstrate ‘pencil spinning’ using two commercial yarns. Even this simple method was received with excitement, so I have made two short videos for the students, but have shared them on YouTube for everyone and put them on here as well. Bear in mind they were made for the students, following a demonstration so I refer to this, and the focus is on making small amounts of marl yarn for hand knit design sampling.
They have taken yarns away with them, so I hope to see that they have applied their wonderful creativity to making new and colourful yarns.
Today met James McIntosh and Dr Thomas Ernst, inventors of the term ‘knititation’ and authors of Knit and Nibble. They had been invited to speak at the University of Brighton School of Art’s Centre for Arts and Wellbeing event, Knitting and Wellness.
When we first met, James told me that he had found The Knitting Book really helpful when he was teaching himself to knit – which was truly gratifying feedback. It’s nice to find out how people use and value my contribution to sharing knowledge.
James was first to speak, and he described his personal journey through depression and how knitting mindfully enabled his recovery and brought colour back into his life. Thomas discussed the science behind mindfulness and it’s aptness to knitting.
Nina Dodds, author of Invisible Jumpers, and I provided yarn and needles so that everyone who wanted to could knit during the event. We were gratified that everyone took up the opportunity!
It was a great talk, entertaining and interesting. James and Thomas kindly gave me a copy of their book which I am reading this weekend.
At the end Thomas led a short mindfulness session, which was a new expressive for some of the audience. Hopefully we all left feeling refreshed.
Like James, and so many others, I find hand knitting keeps me calm; it’s repetitive movements bringing my attention back in a rythmic cycle. So now I’ve written this it’s time to take up my needles for a soothing session.
A new edition of Knit Step by Step has been published this month. With new content including step-by-step instructions (with lots of lovely photos) of how to work the exciting on-trend chunky ‘arm knitting’. All wrapped in a smart new cover it looks great!