Reviewing the Caydo Automatic I-cord Machine

Hands up who doesn’t like icord? It’s an extremely versatile little tube that has many uses, amongst which is as a trimming or tie cord, or standalone as a thick yarn. Reach back to your childhood memories and you might have used a ‘Knitting Nancy’, or even a cotton reel with nails driven into the top to knit i-cord. You can hand knit i-cord with double pointed needles or even on two straights, with a bit of slipping and reverse knitting.

To my joy you can also knit it on a bed domestic knitting machine. On a double bed machine, or a single bed with a ribber attached, on each bed you cast on half the number of stitches that you wish to have around the i-cord, (for example, two needles on each bed will create a four stitch i-cord), then set one bed to slip and one bed to knit. This creates a tube of circular knitting. When using just a single bed, this is also an easy setting. Cast on four stitches, set your carriage to slip in one direction, and off you go. The slip pulls the yarn around from the last stitch directly back to the first needle and then you knit all four stitches again. After which the yarn goes back to the first needle again, and it makes a very nice little tube.

I have knitted i-cord by hand and on my knitting machine for many years, and at one point I purchased a hand-cranked, four needle circular i-cord machine, (I think it was a Prym?) which meant I could knit yardage very simply without blocking the use of my main knitting machine. I found the design to be quite awkward to use, so a bit later on I purchased another model, (it might have been Clover, but I think it was a French make). This is a much better designed piece of equipment, it fits well in the hand and is far more cheerful to look at because it is bright yellow and purple. The big plus is that any of these machines produce a consistently even i-cord. However, althouigh its faster than hand knitting, it still requires hand cranking.

Apart from these little i-cord machines I also have a plastic, twenty-two needle Addi circular machine. The Addi clearly knits a bigger tube that the little four-needle machines, but it works on the same principle with a revolving cylinder of vertical needles into which the yarn is fed through a statioary feeder. This means that the knitting coming out of the bottom of the machine turns with the cylinder of needles and can (and will) tangle.

The drawback with all these circular knitting machines described so far is that the knitting hangs down in the center of the cylinder and requires considerable weighting to make sure the stitches clear off the needles. Once the weights reaches the floor they stopped doing their job and unless rehung further up towards the cylinder, the stitches will miss-knit. If the knitted tube is turning at the same time as the weights descend, there is clearly far more potential for disaster to happen as the weight swings and the knitting twists. That is why the four needle i-cord machines and the Addi are my least favorite to use.

My pride and joy is a vintage, and very heavy, solid metal, circular sock machine. Although this still requires weights and they are very heavy weights, this knits in a slightly different way, with the feeder revolving around a stationary cylinder of vertical needles. This means that the knitting hangs straight down and does not twist as it is made. The advantage of this is that you only have to keep an eye on the weight, and do not have to untangle the knitted tube every so often.

Whilst working in industry, and at the University where I taught, I worked with what are called ‘strapping’ or ‘cording’ machines. The ones in use were small cylinder circular machines and fine gauge, so had tiny needle hooks and required thin yarns. These operated on the same principle as the CSM, but instead of weights, the cord winds onto a vertical frame which is synchronised to revolve at the pace necessary to keep tension on the cord as it descends towards the frame. This automates the process; the only human interaction is to change yarns and swap full frames out for empty ones. I suspect that the latest models will be almost totally automated with automatic yarn splicing.

Which brings me to the purpose of this post. At last! Because of the problems already discussed I was interested to try out the Caydo Automatic I-cord Machine. On close inspection, Caydo seemed to have addressed the problem of the knitting twisting by adopting the idea of a static needle cylinder and a revolving feeder, and overcome the weighting by laying the machine on its side and adding rotating cogs to tension the completed i-cord. I was intrigued as to whether this machine would prove to be as good as it looked in the adverts.

My verdict is that overall I really like this machine

I love gadgets, and this looked like a great gadget with thoughtful design which suggested to me an improved user experience and a positive practical outcome. Caydo kindly provided me with a machine to test and review, so that is where we are now. My video review is quite long, but I wanted to share the unpacking and assembly, (minimal) as well as explore the knitting process. My verdict is that overall I really like this machine.

It doesn’t like fancy yarns, but thats not uncommon

The machine won’t knit well with fancy yarns, and works with a limited range of yarn weights, but that is true of all domestic knitting machines. I met a lady the other day, and when chatting about the machine she was disappointed that it would not knit with chenille, but I am not sure that is a reasonable expectation as it clearly says in the manual what is and isn’t suitable.

I experimented a little, but as my aim was to review the machine as it stands, these were quite limited. I found that the harsher/firmer the yarn, the less the machine liked it. For example, I tried some crepe yarn and although it worked, the machine was not as happy as with less tightly spun yarn, until I helped by unwinding the yarn from the ball, the machine dropped the occasional stitch. I have had reports from other users that hand knit DK cotton works really well, but have not so far tested this out. The size of the hooks dictate the thickness of the yarn. Aran is listed as the thickest, but if not sure, lay the yarn in the hook and see if it sits there comfortably without being compressed.

Things I found that helped if the machine struggled:

  • manually wind to begin with and start with slow speed until you are satisfied that all is well
  • check that the yarn is in the tension disk correctly
  • watch for the yarn ball flipping over, this will tug on the machine
  • rewind the yarn onto balls that will pull-off easily, (if the machine has to tug at the yarn it stutters)
  • waxing as you rewind can help smooth the yarn
  • manually unwind the yarn before it gets to the machine if it is sticking to itself on the ball
  • listen to the machine, you can detect problems early by a change in rythmn/note

Be thoughtful when choosing yarns

The machine has weight, so does not shift around in use, and the case seems pretty robust. I am a little concerned about the rather delicate design of on/off/speed lever, as that is your ’emergency stop’ and might need to be turned quite rapidly, but so far it feels strong enough in use. The ‘knit/purl’ dial rotates when the machine is working, and yarn might get caught on this, so keep your work space clear of odd bits of yarn. I obviously don’t know how long the machine is going to last, and my guess is that the mechanism inside is largely plastic, (but I’m not taking it apart to find out). In my experience plastic cogs, such as those in ball winders are susceptible to strain and if worn may start to slip. The needles are metal, unlike the Addi, so should give stalwart service, as long as the latches don’t get bent. The needle ‘tricks’ in which they slide in and out are also plastic, but once again, provided they do not get burred or dented, they should wear smoothly, much as those in the larger, flat, plastic bed machines. If they do get dented with a sharp edge on one side of the indentation, the needle may catch on them as it slides in and out and could cause jams, (that is the voice of experience speaking). Over-thick and fancy yarns will contribute to all these potential problems, so be thoughtful when choosing yarns.

I was provided with a machine so that I could write/film this review, but have tried to be unbiased in my opinion and when describing my experience whilst using it.

A quick peak at my latest book

‘The Machine Knitter’s Guide to Partial Knitting: Seamless Pattern, Shape and Form’, is available to pre-order in the UK from Crowood Books, and online retailers. In the US it can be ordered from Blackwells.

Learn how to control short rows and create fab effects with this fascinating technique.

I’ve always been fascinated by short rows, or partial knitting as this technique is also called, so when the opportunity came to write a whole book about the technique I was super excited. The book opens with some interesting information about short rows to whet the appetite, the first chapter is about the absolute basics, so is ideal for people who have not worked with short rows before. The chapters progress through the different ways of using short rows; shown with examples, diagrams and written instructions. Some also have half scale sample patterns for practising the techniques which include more advanced uses, such as 3d shaping.. There are step-by-step instructions and each chapter builds on the knowledge of the previous chapter. The book ends with a chapter of patterns exemplifying the techniques covered throughout the book.

I so look forward to receiving my first copy!

‘Wool’, a lovely yarn shop in Bath

A couple of weeks ago I spent a weekend in Bath in the Somerset with some friends.

On our first day we did the touristy things like visiting the Circle and the beautiful Royal Crescent and had tea in one of the numerous teas shops. Quite by chance, the one we picked happened to have been featured in Bridgerton as the Modiste shop.

Food featured heavily in our weekend, cake being a particular favorite, so the next day we visited the historic Pulteney bridge and the tea shop which is situated on top of this bridge.

We are all knitters, so were pleased to discover there was a yarn shop close to where we were staying in the city centre. So, before leaving on our last day we paid a visit to ‘Wool’. There we found a wide selection of yarns to please all price points, that catered for all types of knitting or crochet work. Yarns included individual spun, Rowan Kid Silk and some very good value Tweedy Superwash Merino wool by King Cole. I am a bit of a sock yarn addict and bought a 100g ball of Lang sock yarn, which I have not tried before, and some 100% wool double knit in pretty pastel colours.

Someone else chose a DK pattern for a simple sweater shape which she intends to knit up in a wool and Alpaca blend yarn. The yarn is being reclaimed from a partially-knitted garment that her mother never completed, I think this is a lovely way to maintain a thread with the memory of her Mother, but to end up with a garment that she will want to wear.

The staff in the shop were particularly helpful over this explaining to my friend how to substitute a yarn in the pattern and helping her decide if she would have enough of the existing yarn. Although I could have helped her with this it would have felt a little like a busman’s holiday to do so ‘on the fly’. However I did of course tell her she could ask me later if she ran into problems.

I will certainly go back to ‘Wool’ next time I’m in Bath.

Seeing up at Craft 4 Crafter’s show -updated

It’s been a busy day today setting up the Taunton Machine Knitting Club stand at Craft 4 Crafter’s exhibition in Exeter. The Club is pleased to have recently become a branch of The Knitting and Crochet Guild, making us part of the wider UK knitting community.

The display features work by most club members including lace, intarsia, knitweave and double jacquard. Throughout the three day exhibition members will be demonstrating different techniques such as cables, bobbles,  shaping and short row knitting.

The display is finally ready, and I am not  climbing a stepladder again today!

I will be giving a talk on Friday about my books, ‘The Knitting Book’, ‘Translating Between Hand and Machine Knitting’ and ‘Single and Double Bed Machine Knitting; the Designer’s Guide’.

The table will have to be large enough to fit four copies once my latest book, ‘The Machine Knitter’s Guide to Partial Knitting’ is published later this year.

Update

The show went really well. There was lots of interest in the club,  machine knitting in general and the Knitting and Crochet Guild.

The machines were a great draw
Yarn winding for those who bought yarn in hanks
three knitting machine punchcards

Holes and blanks: reading a knitting machine punchcard

This is something I used to struggle with when first starting to machine knit, and to be honest, it still sometimes needs a bit of thinking before I get it right.

So I put some information together which I hope will be useful to others who find the holes and blanks a bit confusing. It also has some helpful ways to read what is actually being read by the card-reader, rather than what is visible above it.

Lets start with the fundamentals:

However, on both makes the needle positions are the same

Pattern cam settingPunched holesNeedle positionBlanksNeedle position
2-col-in-a-rowknit with 2nd colourUWPknit with MCWP
tuckknitUWPtuckWP
slip/partknitUWPslipWP

On both Brother and KM/SR machines, the punchard line being selected is hidden inside the machine. Seven lines below on a Brother, and five below on a KM/SR.

Download a printable version here.

To read more about how a punchcards, read my post ‘Knitting Machine Punchcards, How do They Work?’

A wet afternoon warping

Its raining the proverbial cats and dogs here in Somerset, so it’s an afternoon indoors. I am threading up the warp for a baby blanket on my countermarche loom. Its only taken me 3 months to get this far!

Warping back to front the Peggy Osterkamp way

With the last slice of Christmas cake and a cup of tea at my side it’s a pretty nice afternoon inside.

Cake on a levitating plate

Of course that was then, and this is now. Somehow I have miscounted heddles and got in a right muddle. Its not such a lovely afternoon after all…

Update

I am now 50cm into the blanket! How has it taken me this long you might ask. Well   it took me ages to fine tune it, because I had some odd threads in my warp that I couldn’t get to tension right.

I have deliberately missed out the edges as they are a little bit messy, but you get the drift.

That’s sorted now I think at least for a while. The back of my loom looks like a right mess.

But seems to be holding now. I took the temple off to take the photograph, but it’s use is helping me keep my width, because one edge is still a bit wonky. My solution to that will probably be to bind it with ribbon as I did for my children’S blankets.

😂 what can I say? I’m particularly proud of the felt pen and the medicine bottles holding all the threads down.

I’m using a double thread as the weft, not quite sure why after all this time since I started, but that was what I sampled with and it worked out OK. Part of the problem was I’ve got an 8 epi reed and I thought this double knitting weight yarn would work at 8 epi. However, I’ve had to space it out further to 6 epi, because it was too bulky, but then it looked a bit thin and weedy so I decided to use a double thread in the weft. 

This double thread caused me problems because it was really fiddly to use two shuttles and I found putting two ends onto the bobbin of a boat shuttle meant I only  got a tiny amount woven before the bobbin ran out. I have used stick shuttles for the contrast colours, but I really wanted to weave the main pink weft with a boat shuttle because it’s more efficient as I have a shuttle race on the reed. 

I was gifted a Toika double shuttle for Christmas, and have not yet had the chance to practice with it but this seemed the obvious tool to use.  As with everything it takes a bit of practice and I ended up with different lengths on the bobbins and the bobbins unwinding at different speeds. A tip I remembered was to twist the threads at the end so I began twisting the shuttle,  and that helps. Also I learned to stop both bobbins with my fingers in an overhang catch after sending it across.

However, I was still finding that the bobbins ran out quickly and inconsistently. I was using homemade paper ones, but didn’t find I could get any more onto a cardboard quill , (and most of those I are too big for the double shuttle anyway and I don’t want to cut them down as they fit other shuttles.

Back to the drawing board. I unearthed my Louet Flying Dutchman shuttle and found some old wooden bobbins that I bought at a boot sale which have always been too long for any of my bobbins- but which I now find fit the Dutchman really well. This time I double wound the threads very carefully onto the wooden bobbins, running them through tensions to equalise them. This has become my happy place and I will probably weave the rest of the pink using the Flying Dutchman and twisting at each end. 

I will add another picture after my next 50 centimeters.

Toika double shuttle at the back and the Louet Flying Dutchman at the front

A bit of cotton dyeing using home made tannin extract

I posted recently about solar dying wool with mulberries and I thought I’d now have a go dying some commercially spun cotton that I have already, and conveniently, put up into hanks. There are six 50g hanks, so I am hoping for 300g of lovely coloured cotton to play with.

I don’t dye cotton often, but I do know that it requires tannin as a mordant. Well, being a bit disorganized, if I’ve got any commercial tannin mordant I can’t find, so it was a relief when after a quick look in Jenny Dean’s Colours from Nature, I found that bramble leaves and twigs contain tannin. A bit more research on the internet suggests that mulberry leaves also contain tannin. It looks like this is going to be a multi-day effort.

DAY 1

One thing we have in plenty in the garden and surrounding fields is brambles and of course we have a mulberry tree, so I went on a little foraging trip. I collected a basket full of mulberry leaves and brambles which I chopped up and boiled for an hour as instructed in the book.

DAY 2

I left these to soak overnight and have just strained the liquor off into a pan and slightly reheated this.

I’ve just submerged the damp cotton hanks in the tannin liquid, and will leave this for 24 hours for the cotton to absorb the tannin. According to Jenny Dean there is a likelihood this will stain my white cotton and is bleached white slightly yellow, so we will see.

Hanks of cotton soaking in the home made tannin solution

Hopefully the mulberry dye will accommodate this and give me a nice color.

DAY 3

The cotton yarn after being soaked in tannin solution, a slight cream cast

After the tannin soak the cotton had taken on a slight creamy colour, not too bad at all. Maybe it didn’t take the tannin?

Straining the cooked and soaked mulberries to release the dye colour

I had prepared 1.5kg of mushy mulberries that weren’t really edible by cooking them up in some water and leaving them to soak and give up their colour overnight. I thought I was ready to get in with the dyeing, but luckily at this point I went back to Jenny’s book. Only then did I  realised that the cotton needed to be soaked in an alum mordant after the tannin. How did I miss this before?

The recommended amount is 4 tsp alum and 1.5 tsp of washing soda per 100g of fibre. Dissolve the alum and soda in enough water to cover the fibre,  and bring to a simmer. Then leave it to soak and cool for 12-24 hours.

DAY 4

NOW I can put the hanks in the dye..

This afternoon I took the yarn out and rinsed it. Then strained the mulberry liqour and put it in the old slow cooker I use for dyeing. I added some salt (not sure why but seemed to remember it helps the dye take) and then added enough water so that the liquid would cover the fibre. After that I immersed the yarn in the dye.

Fingers crossed it will work.

First dipped hank… Now it needs to sit in the dye overnight…but we all know it’s probably going to wash out…

Well, the hanks came out looking lovely, but as predicted, the colour mostly washed out. It’s not a bad colour, it’s very a pale, lilacy grey, just not the pink I hoped for.

The final colour, a pale lilac grey.

Ready to spin

An hour spent blending on the drum carder has got me set for some serious spinning.

The yellow and natural are broken Merino tops that I picked up at the John arbon Open Day last year.  I’ve blended these in equal parts with a very strong ultra marine blue which I won in my local Guild raffle.

I tested this first on hand carders and it produced a very nice yarn so now I’ve done it in bulk and taken rolags of a batt from the drumcard.

The singles so far.

I’m aiming for a 2 ply hand knit weight yarn, so spun the singles trying to let in a bit more fibre than I usually do. I read once that as you become more proficient at spinning you tend to spin finer, and that does seem to have been the case. Not that I’m claiming to be brilliant at it, just more practiced than I was.

This was spun the 1:8 whorl on my Louet S95 ‘Victoria’, which is the little folding portable wheel I take out to demonstrations. I aim to ply at the same ratio although I know it will probably work out a bit less. I am looking forward to spinning and plying this.

Final sample for my latest book about machine knitting

I think this might be the final sample for my latest book. The manuscript went into the publishers a week or so ago and I’m just working in a few outstanding samples and photos.

Of course machine knitters, well knitters in general, will know that ‘sorting out a sample’ is a shorthand for:

knitting several design swatches

knitting a tension swatch (or three)

working out the garment pattern

knitting it

finding you’ve made a mistake

knitting it again

steaming it

sewing it together

washing it

blocking it

etcetera, etcetera….

So I am just at the first steaming stage and getting ready to assemble the garment. And of course I’ve had to re-knit one piece because the dratted yarn got caught by the brushes irrevocably and it was easier to restart than try and sort that out. More haste, less speed is so very true in machine knitting. Nice and steady is always the best way.

I’m hoping this garment will be nice enough to go on the cover, but we will see.

Meanwhile let me tell you a little bit about the book. The title is still to be finalised, but it is all about short rows and partial knitting on a machine.  There is a lot in there for beginners, for example the first chapter is all about the principles of short rows and how you knit them and there is a whole basic techniques appendix at the back for additional support. Chapters 2 to 5 offer loads of information, samples, examples and exercises for more experienced knitters to really come to grips for short rows, and to understand how and when to use them for different results.

Chapter 6 has patterns that use short rows as they’ve been described in the earlier chapters, but applied to an item. So from these patterns you actually get to use short rows purposefully to create shape and form combined with colour and surface pattern.

So once it’s published I will obviously be shouting about it,  but keep an eye out and do pop back here for updates.

Enthusiasm is trumped by poor organisation

When we moved house I had only the first few centimetres worked of a rather intricate (for my level of skill) pattern on my big Inkle loom. So I carefully tied it all down, added tape and made it secure on the loom. Wrapped it in bubble wrap etc etc. and it travelled fine.

The first 4cm of pattern before I had to pack the loom.

Sadly, whilst unwrapping it, I somehow managed to cut the warp! Idiot….

So the loom and dangling warp has languished in the conservatory for the best part of a year, unloved and testament to my incompetence. Today I decided, was the day to grapple with this and repair the warp. I refused to be beaten by it and started to analyse what needed to be tied to what. Luckily I had the written threading pattern to follow.

And I’ve done it! Only two mis ties hat to be undone and retied. I think that it will be OK. I’ve put in several pieces of card to re-tension and organise the warp and it looks good to go.

So I go to wind the shuttle, and realise I have no idea where the weft thread is! It’s somewhere in the loft in a box of unlabelled yarns, and believe me there must be about 20 of these… So do I want to go and search for it? Probably not today. That’s a job for later…