Battery pack for Ashford E-spinner 3

I’ve just spent about an hour fiddling with the battery pack that came with my E-Spinner. The E-spinner was secondhand and was still unassembled and the battery never been used – the battery pack is not an Ashford one. I thought the details of the battery pack might be useful for anyone looking to buy one of these for their E-Spinner 3.

Super Rechargeable Li-ion Battery, YSN-N12V

Input: 12.5VDC

Output: 12VDC 3800mAh, (this is the DCin/out outlet, a round plug that leads to the E SPinner power plug when being run on battery).

Other output is: 5VDC 6800mAh – (the usb outlet).

Super Rechargeable Li-ion Battery, YSN-N12V

In my excitement I charged it rather haphazardly, but it has been working fine with the spinner. When I came to recharge it I found that it was not indicating charging as explained in the manual. However, a useful review on YouTube enabled me to understand what was going on. There is another lead with the battery, a round pin on one end (that is the same size as the outlet, and a much thinner pin on the other end – no idea what that is for). The lead from the battery to the E-spinner has the same sized pin on each end. It may have been purchased separately from the battery pack?

Basically the instructions were confusing about the charging process. The led on the plug the goes into the wall outlet is supposed to be red when the unit is plugged in to charge, and turn green when it is charged. The unit also must be switched on at its own on/off switch whilst charging, (if you leave it switched on when not in use it will discharge). The battery pack has five green lights on the top, one to show the pack is charged and four others labelled 100%, 75%, 50% and 25%. Nothing is said in the instructions about these, but trial and error showed that pressing the unlabelled button on the left side of the unit indicates the amount of power remaining in the unit using these lights.

I couldn’t find the battery pack on eBay or Amazon but did find it on AliExpress.

I found the same battery pack on aliexpress

I have used the battery for about 4-5 hours spinning before it needs recharging, so am really pleased with the unit. I have also bought the cigarette lighter plug connection so that I can use it on the 12v in our caravan. May be overkill as the battery is working well so far. The battery takes about 8 hours to charge.

Spinning outdoors,(well almost) – on my Ashford Espinner

Its a mix of rain and sun this afternoon, and we are in our caravan so I decided to do some spinning on my Ashford Espinner. I’ve brought four Frankenstein batts I carded from a mixture of old cream Jacobs and two pink and orange poorly dyed batches of Dorset fleece. Plus a small amount of a pretty olive green. The poorly dyed had nepps from the partial felting, and I kept some of these when carding to add texture.

These were all carded on the electric from carder in stripes. I ended up with four largish batts which I split and spun as rolags.

Below you can see how I split the batts and I worked out the TPI of the singles on the espinner.

Author’s not: I originally intended to upload this as a ‘story’ post, but after the uploads gobbled up my mobile data and it still didn’t work properly I decided to make it a normal post.

I split the large batt horizontally into smaller sections.

The smaller sections were then hand-rolled into individual rolags. Because the batt had been double carded and divided between each carding, the colours ran from side to side. I like to work with small rolags, so halved each one, but worked with through the rolags in a zig zage way so that the ends met to keep consistency to the colour grading.

Spinning singles on my Ashford Espinner in the caravan awning
Achieving the desired TPI on an espinner is based on knowing the number of flyer rotations per minute, which is controlled by the speed dial.

For this singles I wanted around 8 TPI, and I had already measured my drafting of 2″ lengths at about 40 which equals me 80″ per minute. So I multiplied the TPI x draft length per minute

8 x 80 = 640.

So I set my speed dial to where I know I get about 640rpm. Its not exact, but neither is it on a wheel, but it gave a pretty good average of 8TPI.

I plan to ply this with a plain colour, otherwise the colours become overwhelmed by each other. Maybe a rust or cream, or even a black?

Update. I eventually plied it with a Dorset singles from my stash. Made 70g of very useable yarn or approximately 7 TPI, 8 WPI and 20 degree angle of twist.

The finished yarn.

Long staple Scotch Mule fleece

I purchased these two fleece in July and due to family and work things didn’t get around to washing them until August. They are what I believe is called Scotch Mule, a cross between Blue Faced Leicester and Scottish Blackface. These two were classed as ‘more BFL than Blackface’ which is what attracted me.

I set up a suint bath for them which is still going strong, (and I mean STRONG in an olifactory way when it is disturbed. The suint does clean well, but my family are threatening to leave home if I continue for much longer. Only four more bags need to be washed, and are soaking in the ghastly liquid right now.

They have come up nice and white with delightfully soft locks. There is stil some VM to be picked out during combing, but it wasn’t too bad overall. Some dirty tips have had to be removed.

I am very excited about starting to process the fleece using a set of Viking wool combs. I used these for a Lleyn fleece last year and was pleased at how fast I got at the combing (though sadly not as fast as carding).

Should I dye the locks before hand or after spinning? To be honest there is so much I could do some and some. The average staple in one fleece is 7″ and the other is 9-10″, which is going to lovely for worsted spinning.

Spinning a balanced yarn

The fleece I am working with is not brilliant, but I am using it to practise making a balanced, soft spun woollen yarn for knitting. To do this I read up on Mabel Ross’ method, and with a little tweaking to suit my preferred yarn handle, it worked!

Mabel Ross worked it out for us and it is quite logical really. You do need to know your wheel’s ratios, work consistently with your draft and count your treadling to start with, so if thats not your style, don’t go there.

I was aiming for around 2tpi in the finished yarn, but actually increased this a little after the first samples.

The equation is to do with spinning the singles at the tpi you want and then plying them to get the final tpi you want. Its really helpful to remember that if you spin your singles Z, when you ply them S you will be unwinding some of the single’s twist. (update- I have subsequently spun some yarn at a much higher tpi using a 1:10 whorl that has come out soft after a similarly balancing plying method. Maybe I’m getting it…)

I worked backwards from my 2tpi goal.

For example: I was working with a 1:6 whorl, therefore one revolution of my wheel would turn the bobbin 6 times. I was spinning ‘Z’ twist with a long draw of 12″.

First of all I needed to know how many treadles to the 12″ draft would give me the tpi I required. Yes I know I’ve muddled metric and imperial, but it still works.

Number of treadles = (required tpi x planned draft length)/ divided by wheel ratio (which i know will be 6)

tpi of my singles = tpi of my plied yarn divided by number of plies

II reckoned that if I want 2tpi in the plied yarn, I needed to spin the singles at around 4tpi.

The equation I worked with using MR method to find out how many treadles I needed to a set draft length was:

tpi = (wheel ratio x treadles)/divided by draft length.

Go back to the earlier question of how many treadles?

Number of treadles = (required tpi x planned draft length)/ divided by wheel ratio (which i know will be 6)

which came out as

tpi (4) x draft (12″) = 48/6 = 8.

So 8 treadles using the 1:6 whorl to a 12′ draft should give me 4tpi. in my singles…

Well I wrote this post a while ago, and since then have done some spinning. It was not successful, way to soft and loose spun for my taste, but a balanced yarn – no twisting and it knits without bias.

I upped singles tpi a little and also the ply by a smaller amount and the yarn improved. and stayed balanced! A lesson learned.

First ‘in person’ TAG meeting of 2021

Our local Textile Arts Group (TAG), finally managed to meet today. Eight of us met up with Covid secure arrangements and as the weather was sunny we were in fact able to sit outside the hall to spin, knit and talk.

It was lovely, and everyone has been busy learning new things and perfecting their skills during lockdown.

Wheels all going madly
Natural dyed fibre

I took my Louet Victoria folding wheel and spun up a bag of Suffolk fibre that will be used as the core for a fancy yarn.

New members are always welcomed. If you live near Brighton and like to know more, or would like to come for a taster session, do get in touch.

Avocado surprises

Having been eating loads of avocados last summer I dried the skins and stones for dye material later on in the year. I want sure if the colour outcome would be effected by drying so decided to try some out recently.

I took 60g dried avocado skins and two skeins of yarn; one 14g hand spun 50/50 cream wool and alpaca and 12g commercially spun 2/9nm will and nylon (sock yarn). I reckoned half yarn to dye material, but being dried may have made a difference.

I cold mordanted the yarns overnight and soaked and cooked up the skins. Stained the liquid and made up the due bath. Then gently simmered the yarn for about 60 minutes, with the skins in a muslin bag in the bath as well. After that I left the whole pot to cool overnight.

I was surprised that the hand spun did not take much colour whereas the wool and nylon took loads. Both had had same pretreatment.

Left is hand spun 50/50 wool alpaca yarn, right is wool and nylon

I will be using the will nylon in machine knit socks, so pleased with the colour. It’s not as warm as the undried skins I’ve used in the past, more like onion skin colour.

UPDATE On reflection I think the Alpaca may have influenced the way the dye was taken up by the hand spun yarn

Colour-changing yarn spun from a distaff

I’ve had a number of different colour hand dyed carded batts sitting waiting for me to find inspiration. They are all from fleece I have scored and carder myself, so are a mix of Shetland, Suffolk and Texel, with maybe a little Alpaca blended into some of them. Some are in 200g amounts, some less. I’d got a bit stuck about how to use them until I saw a useful tip by Anna from my spinning group that she has put on YouTube.

Before you start, select a group of colours that work together. After a designing session during which I wrapped different colours together, I chose five: orange, pale green, mid blue, pale blue and lilac.

Anna used a combination of hand dyed and commercial roving, but the principle is the same with your own carded batts.

1. First of all split the roving/batt into the required lengths, (I just used the whole length of the batt of my drum carder).

2. Then split each length lengthwise into 4, (or more, depending on the thickness of the roving/batt).

3. Next, lay out the colours lengthwise, next to each other in the order you want to spin them into yarn. Test this beforehand to see how they mix throughout one repeat of a yarn, and if this works for your chosen outcome, such as knitting.

4. Repeat the colour sequence three more times so you have a table full of ‘stripes’ of fibre. If you have more than four lengths let colour, carry on until all are used up.

5. Now this is the clever part. I have hand spun colour changing yarns before and got the sequence wrong because I put it all away in a box between spinning sessions. To keep the sequence do the following.

6. Take a metre + long length off ribbon and tie a pencil or empty pen across one end. This is your fibre-stopper. Tie a hand-sized loop on the other end. This is your distaff.

7. Starting at one end of the ‘stripes’, wind each length off fibre into a loose roll and slip the looped end of the ribbon through the centre hole. Carry on doing this, working methodically through the fibre lengths, keeping the colour order as mapped out in your ‘stripes’.

8. You will end up with a ‘necklace’ of colour ordered fibre rolls on the ribbon. Tie the ends together to stop the fibre sliding off.

The dyed fibre arranged on the ribbon distaff before spinning

Now to can put them in a box and they won’t get muddled. To start spinning, simply lift the necklace out, untie the ends, and slip the loop over your hand. It acts as a distaff and will hold your fibre nicely as you spin each colour.

Spinning the lengths into singles

What a great tip!

I plied the colour changing yarn with a single spun made from navy blue Corriedale. This made a lovely marl yarn that to me resembles stained glass windows. I can’t wait to see what it looks like knitted.

The plied yarn

Here is the link to Anna’s video

Spinning outdoors

Last week a few of us got together (safely distanced and masked), to take our textiles into the park. I enjoyed myself so much I forgot to take a photo!

The thought of spinning outside in the sunshine encouraged me to use bright colours. So I took along some Shetland fleece I dyed a while ago using acid dyes, (I have written more about dyeing fleece with acid dye here).

I’d spun up a bobbin of Suffolk fleece that is not very exciting, so I planned to use that as the core for a bright, irregular spun, core-spun yarn to which I would add a charcoal wrapping yarn. All 100%wool. I took my folding Louet Victoria S95 wheel which is a joy to use.

The core yarn was Z twisted quite tight. The wrapping colours were also put on Z twist, and the final charcoal, commercial yarn was S spun over the others.

Photo taken at might, so the colours are not accurate.

After washing and drying the twist the colours hardly muted and it’s come out as lovely yarn.

Taken outdoors, but the colours are a bit light.