Spinning flax into linen yarn

The Somerset Guild will be taking our spinning and weaving to Dawes Twine Works in West Coker in August and in preparation for that I decided to meet a challenge I have been meaning to take for several years.

That challenge is spinning flax into linen yarn. Now I know lots of people do this but it’s not something I have done much of. The only experience I have is at a two hour Flaxland workshop, which was great, where we spun line flax from a distaff with a drop spindle. I’m not great on the drop spindle but I did manage to get a little bit of flax turned into singles, which when I got home I plied and then wove on a pin loom.

I believe I have posted about this on the website already so I won’t repeat this story.

In preparation for spinning at Dawes I acquired some line flax and whilst we were on holiday I set up my Ashford e-spinner in the caravan and set about spinning some linen. Stupidly I hadn’t taken any spinning books with me and there was no signal there so I was working blind.  Firstly I made it too thick and this was partly because I forgot it was best to wet it as you spin so I spun it dry. Secondly, I went it in the Z (clockwise) direction which I now realize should have been S (anticlockwise) for singles as flax seems to prefer this direction.

Still I spun about 120 meters of this which I was quite pleased with as a first, (well to be honest second) effort despite its rather chunky nature. When I got home I forgot about it and left it on the wheel.

A week ago I prepared some Leaf Green Dylon dye to over-dye a linen vest.  As the dye bath was not exhausted I thought, ‘oh I could dye that linen yarn in this’. To test this out I used the little bit of yarn left over from my first attempt at drop spindling.  I wet it thoroughly using some washing up liquid in the water as a wetting agent, rinsed it and then popped this into the Dylon for 45 minutes or so, and it came out very pretty, leafy green.

Unbleached linen, light leafy green after dyeing

Well now I was hooked so I dug out my e-spinner and plied the singles that were sitting on the bobbin using my Wee Peggy wheel. Luckily I remembered I had spun Z the first time so I plied them S. This gave me 60 m of 2 ply linen, Yippee.

I had access to my books now so I went to Patricia Baines’ book Hand Spinning and Weaving with Linen to make sure I cleaned it sufficiently before trying to dye this second lot. The dry hank weighs 28g, not a lot, but enough for an experiment.

Pre-wetting the linen yarn, the water is quite dirty

At the moment having thoroughly wet the hank it’s now sitting in boiling water with 50% of its weight in soap and 3% of its weight in washing soda per-dissolved in the hot water. I’m going to boil this for 45 minutes take it out and give it one or two hot rinses followed by a cold rinse and if the water is still dirty I’ll do it again.

If the water looks clean I probably won’t give another wash even though Baines suggests doing this. But I may bleach it according to instructions to see if I can lighten it a bit before I put it in the green dye.

Well,  the water was still sludgy so I did give it a second scour using 25% soap and 1% soda and the yarn came out much cleaner but still grey.

So in all I ended up doing 2 x 45 minute boil washes which were progressively less filthy. Then I bleached the yarn with Sodium Percarbonate (green bleach) in warm water using 3 grams of the bleach granules pre-dissolved in the hot water.  That was left to soak for about an hour. After rinsing the yarn was a lovely light creamy colour. Unfortunately I forgot to take a photograph of this, so you’ll have to take my word for it.

After another rinse it went into the warm dye bath where it sat for 45 minutes with no heat, just the occasional stir. I added more salt to the dye as well.

Ok, so now I have some quite attractive, green linen yarn!

The two hanks of linen yarn once dry. Right is the 28g,  bleached h.ank.

Even after all this washing and soaking the fibre still felt quite crisp. So again following Patricia Baines’ suggestions I damped it and beat it with a rolling pin,  which seems to have helped a bit. Scrunching it between my fingers has softened it further. My next move is to wind it off the hank through a  slightly damp sponge onto another bank to smooth down the fibers and hopefully restore the lustre. Then I’ll wind it into a ball.  I don’t know what I’ll do with it I might knit with it I might pin weave with it. Sadly I don’t think there is enough to  weave anything meaningful on even a small warped loom.

Two spinning wheels and a warp weighted loom

We are on holiday in Yorkshire and took the opportunity to visit the Ryedale Folk Museum in Hutton le Hole. The museum is a little gem, mostly outdoors it features original local buildings from different periods complete with information about those who lived in them. From the’ Witches Hovel’ to the Manor House, one can take a peak into the life of the people of Ryedale through the centuries.

Pre the Industrial Revolution the village subsisted on small scale farming and at one time a quarter of the population of Hutton le Hole were employed as weavers. It is not explained whether it was cause or effect, but flax was grown in the area in the 1700s and the women would have spun the flax into linen yarn on spinning wheels, examples of which are present in the houses. It is likely that wool was also spun as villagers grazed cattle and sheep on the common land and most households were largely self sufficient.

An early spinning wheel with a spindle which pre-dated the bobbin and flyer. It has a treadle which suggests that this wheel dates from after the latter part of the 1700s. Possibly originally used for flax as this was grown in the area in the 1700s to produce yarn for the village weavers. Ryedale Folk Museum.
Another spinning wheel from a later period as it has a bobbin and flyer. The distaff suggests this might also have been used for flax, as wheels were, and still are, used for a range of fibres based on the spinner’s needs and skills.

In the same room as the wheel shown above, there was a charming lace light. These glass globes amplified the light from the central candle and focused it onto the work of those sitting around the globes. I have not seen a triple globe stool version before, so that was a treat.

Towards the end of the path through the museum is an Iron Age roundhouse. Apparently the structure was built with wattle and daub, just as it would have been in the Iron Age. Inside there is an open fire and amongst other domestic artefacts there is a rough-built warp-weighted loom. Although there is a warp on it, there is no weaving in progress.

At a quick glance the warp-weighted loom doesn’t look that different from a modern upright loom, except for the refinements of a winding-on mechanism and reed.

I am now itching to get home to do some weaving. Luckily I have my spinning wheel with me in the caravan where I am practising spinning flax in to linen yarn.

The manuscript for my latest book on machine knitting has gone to the publishers, (printers)

The Machine Knitter’s Guide to Partial Knitting; Seamless Pattern, Shape and Form

I wrote this post last July, and thought I would share it with you in retrospect, as the book has now gone to  print.

July 2025

Finally, after a long and fraught 18 months it is done!

I signed the book contract only a few weeks before we moved house. After several false starts with the sale of the house we thought we would be staying for a while and would lose the property we wanted to purchase. However, the way it happened in the end meant that we had to rush into moving in a 3 week window.

Which meant of course that we had to pack what we hadn’t already packed in a hurry, and organize everything else and then move and organize this end when we arrived. Settling in took far longer than anticipated due to unanticipated building work through last summer. It wasn’t until late autumn that I was able to safely unpack a machine and start to knit and write in earnest. Then the arrival of our first grandchild interrupted my flow for a while, the sun shone and the garden needed work done. All in all, let’s say life got in the way!

The last month has been full-on working on the book, so it was wonderful to finally send it off. Of course they will be editorial suggestions and corrections to do, and then a final check once it is laid out for printing, so it’s not finished yet.

May 2026

If you have persevered and read to this point, you might like to know what the book is about. This book, my third about machine knitting focuses on short rows, or partial knitting. It is suitable for any machine with holding position, single bed, double bed, plastic or metal bed, and any gauge. I particularly wanted to include the popular plastic bed, mid-gauge machines like the LK150. Rather than struggle to emulate the punchcard machines with repeating patterns, short row pattern and shaping can be as easily done on either type of machine.

Crocheting squares, it seemed a good idea at the time

Last time we went out in our caravan, and it was several years ago, I decided to crochet a blanket for the dog to sleep on. For this reason I chose acrylic double knit yarns in bright colours on a black ground and a simple ‘wagon wheel’ pattern. Well, after a good start it languished in a bag whilst we moved house, and settled in. I discovered it in a box and decided to try to get it finished. Luckily the yarns were all with the squares, and the pattern was still in the bag. Its taken me a while to get back into the swing, and having a dodgy shoulder recently has not been helpful.

Now its time to assemble and fill in the edges. So all the squares needed to be blocked to the same size. Yes, they were made to the same size, but being in a bag and folded up they are a bit messy, and its much easier to join them if they are consistently sized.

As I was doing this, I made a video of the process in the hope someone might find it useful.

I am now assembling the blanket by working a double (UK)/single crochet (US) joining the edge stitches of two squares, and then two chains, and then another joining stitch, then another two chains etc… it is quite a quick and effective join.

Needless to say, after all the hours I have spent on the blanket, the dog will not be sleeping on it…

Cick to watch from the beginning.

A quick peak at my latest book

‘The Machine Knitter’s Guide to Partial Knitting: Seamless Pattern, Shape and Form’, is available to pre-order in the UK from Crowood Books, and online retailers. In the US it can be ordered from Blackwells.

Learn how to control short rows and create fab effects with this fascinating technique.

I’ve always been fascinated by short rows, or partial knitting as this technique is also called, so when the opportunity came to write a whole book about the technique I was super excited. The book opens with some interesting information about short rows to whet the appetite, the first chapter is about the absolute basics, so is ideal for people who have not worked with short rows before. The chapters progress through the different ways of using short rows; shown with examples, diagrams and written instructions. Some also have half scale sample patterns for practising the techniques which include more advanced uses, such as 3d shaping.. There are step-by-step instructions and each chapter builds on the knowledge of the previous chapter. The book ends with a chapter of patterns exemplifying the techniques covered throughout the book.

I so look forward to receiving my first copy!

‘Wool’, a lovely yarn shop in Bath

A couple of weeks ago I spent a weekend in Bath in the Somerset with some friends.

On our first day we did the touristy things like visiting the Circle and the beautiful Royal Crescent and had tea in one of the numerous teas shops. Quite by chance, the one we picked happened to have been featured in Bridgerton as the Modiste shop.

Food featured heavily in our weekend, cake being a particular favorite, so the next day we visited the historic Pulteney bridge and the tea shop which is situated on top of this bridge.

We are all knitters, so were pleased to discover there was a yarn shop close to where we were staying in the city centre. So, before leaving on our last day we paid a visit to ‘Wool’. There we found a wide selection of yarns to please all price points, that catered for all types of knitting or crochet work. Yarns included individual spun, Rowan Kid Silk and some very good value Tweedy Superwash Merino wool by King Cole. I am a bit of a sock yarn addict and bought a 100g ball of Lang sock yarn, which I have not tried before, and some 100% wool double knit in pretty pastel colours.

Someone else chose a DK pattern for a simple sweater shape which she intends to knit up in a wool and Alpaca blend yarn. The yarn is being reclaimed from a partially-knitted garment that her mother never completed, I think this is a lovely way to maintain a thread with the memory of her Mother, but to end up with a garment that she will want to wear.

The staff in the shop were particularly helpful over this explaining to my friend how to substitute a yarn in the pattern and helping her decide if she would have enough of the existing yarn. Although I could have helped her with this it would have felt a little like a busman’s holiday to do so ‘on the fly’. However I did of course tell her she could ask me later if she ran into problems.

I will certainly go back to ‘Wool’ next time I’m in Bath.

Seeing up at Craft 4 Crafter’s show -updated

It’s been a busy day today setting up the Taunton Machine Knitting Club stand at Craft 4 Crafter’s exhibition in Exeter. The Club is pleased to have recently become a branch of The Knitting and Crochet Guild, making us part of the wider UK knitting community.

The display features work by most club members including lace, intarsia, knitweave and double jacquard. Throughout the three day exhibition members will be demonstrating different techniques such as cables, bobbles,  shaping and short row knitting.

The display is finally ready, and I am not  climbing a stepladder again today!

I will be giving a talk on Friday about my books, ‘The Knitting Book’, ‘Translating Between Hand and Machine Knitting’ and ‘Single and Double Bed Machine Knitting; the Designer’s Guide’.

The table will have to be large enough to fit four copies once my latest book, ‘The Machine Knitter’s Guide to Partial Knitting’ is published later this year.

Update

The show went really well. There was lots of interest in the club,  machine knitting in general and the Knitting and Crochet Guild.

The machines were a great draw
Yarn winding for those who bought yarn in hanks
three knitting machine punchcards

Holes and blanks: reading a knitting machine punchcard

This is something I used to struggle with when first starting to machine knit, and to be honest, it still sometimes needs a bit of thinking before I get it right.

So I put some information together which I hope will be useful to others who find the holes and blanks a bit confusing. It also has some helpful ways to read what is actually being read by the card-reader, rather than what is visible above it.

Lets start with the fundamentals:

However, on both makes the needle positions are the same

Pattern cam settingPunched holesNeedle positionBlanksNeedle position
2-col-in-a-rowknit with 2nd colourUWPknit with MCWP
tuckknitUWPtuckWP
slip/partknitUWPslipWP

On both Brother and KM/SR machines, the punchard line being selected is hidden inside the machine. Seven lines below on a Brother, and five below on a KM/SR.

Download a printable version here.

To read more about how a punchcards, read my post ‘Knitting Machine Punchcards, How do They Work?’

A wet afternoon warping

Its raining the proverbial cats and dogs here in Somerset, so it’s an afternoon indoors. I am threading up the warp for a baby blanket on my countermarche loom. Its only taken me 3 months to get this far!

Warping back to front the Peggy Osterkamp way

With the last slice of Christmas cake and a cup of tea at my side it’s a pretty nice afternoon inside.

Cake on a levitating plate

Of course that was then, and this is now. Somehow I have miscounted heddles and got in a right muddle. Its not such a lovely afternoon after all…

Update

I am now 50cm into the blanket! How has it taken me this long you might ask. Well   it took me ages to fine tune it, because I had some odd threads in my warp that I couldn’t get to tension right.

I have deliberately missed out the edges as they are a little bit messy, but you get the drift.

That’s sorted now I think at least for a while. The back of my loom looks like a right mess.

But seems to be holding now. I took the temple off to take the photograph, but it’s use is helping me keep my width, because one edge is still a bit wonky. My solution to that will probably be to bind it with ribbon as I did for my children’S blankets.

😂 what can I say? I’m particularly proud of the felt pen and the medicine bottles holding all the threads down.

I’m using a double thread as the weft, not quite sure why after all this time since I started, but that was what I sampled with and it worked out OK. Part of the problem was I’ve got an 8 epi reed and I thought this double knitting weight yarn would work at 8 epi. However, I’ve had to space it out further to 6 epi, because it was too bulky, but then it looked a bit thin and weedy so I decided to use a double thread in the weft. 

This double thread caused me problems because it was really fiddly to use two shuttles and I found putting two ends onto the bobbin of a boat shuttle meant I only  got a tiny amount woven before the bobbin ran out. I have used stick shuttles for the contrast colours, but I really wanted to weave the main pink weft with a boat shuttle because it’s more efficient as I have a shuttle race on the reed. 

I was gifted a Toika double shuttle for Christmas, and have not yet had the chance to practice with it but this seemed the obvious tool to use.  As with everything it takes a bit of practice and I ended up with different lengths on the bobbins and the bobbins unwinding at different speeds. A tip I remembered was to twist the threads at the end so I began twisting the shuttle,  and that helps. Also I learned to stop both bobbins with my fingers in an overhang catch after sending it across.

However, I was still finding that the bobbins ran out quickly and inconsistently. I was using homemade paper ones, but didn’t find I could get any more onto a cardboard quill , (and most of those I are too big for the double shuttle anyway and I don’t want to cut them down as they fit other shuttles.

Back to the drawing board. I unearthed my Louet Flying Dutchman shuttle and found some old wooden bobbins that I bought at a boot sale which have always been too long for any of my bobbins- but which I now find fit the Dutchman really well. This time I double wound the threads very carefully onto the wooden bobbins, running them through tensions to equalise them. This has become my happy place and I will probably weave the rest of the pink using the Flying Dutchman and twisting at each end. 

I will add another picture after my next 50 centimeters.

Toika double shuttle at the back and the Louet Flying Dutchman at the front