Spinning outdoors,(well almost) – on my Ashford Espinner

Its a mix of rain and sun this afternoon, and we are in our caravan so I decided to do some spinning on my Ashford Espinner. I’ve brought four Frankenstein batts I carded from a mixture of old cream Jacobs and two pink and orange poorly dyed batches of Dorset fleece. Plus a small amount of a pretty olive green. The poorly dyed had nepps from the partial felting, and I kept some of these when carding to add texture.

These were all carded on the electric from carder in stripes. I ended up with four largish batts which I split and spun as rolags.

Below you can see how I split the batts and I worked out the TPI of the singles on the espinner.

Author’s not: I originally intended to upload this as a ‘story’ post, but after the uploads gobbled up my mobile data and it still didn’t work properly I decided to make it a normal post.

I split the large batt horizontally into smaller sections.

The smaller sections were then hand-rolled into individual rolags. Because the batt had been double carded and divided between each carding, the colours ran from side to side. I like to work with small rolags, so halved each one, but worked with through the rolags in a zig zage way so that the ends met to keep consistency to the colour grading.

Spinning singles on my Ashford Espinner in the caravan awning
Achieving the desired TPI on an espinner is based on knowing the number of flyer rotations per minute, which is controlled by the speed dial.

For this singles I wanted around 8 TPI, and I had already measured my drafting of 2″ lengths at about 40 which equals me 80″ per minute. So I multiplied the TPI x draft length per minute

8 x 80 = 640.

So I set my speed dial to where I know I get about 640rpm. Its not exact, but neither is it on a wheel, but it gave a pretty good average of 8TPI.

I plan to ply this with a plain colour, otherwise the colours become overwhelmed by each other. Maybe a rust or cream, or even a black?

Update. I eventually plied it with a Dorset singles from my stash. Made 70g of very useable yarn or approximately 7 TPI, 8 WPI and 20 degree angle of twist.

The finished yarn.

Picking fleece for a marathon carding session

I have a large sack of Texel fleece that had been making me feel guilty for a while. It’s not the most soft of fleece so I decided to blend it with some Alpaca that has also been lurking in the cupboard. Unfortunately the Alpaca (from an animal called Kiki), has quite a bit of VM in it, but it is deliciously soft.

Picking and hand picking got a lot of the VM out, but sadly not everything. I carded both the Texel and Alpaca separately and then split the batts and layered them up in alternate layers; one wool, one Alpaca etc, and put them back in smaller batches through the drum carder.

As my carder is quite coarse I do a second run through for most fibres. So I did it for these batts. I think I probably should have done a third run, but I was afraid of over-carding the fibres and decided they had blended well enough. The result is a little uneven!

I’ve spun two small samples, one thick singles sort of semi-woollen and the other long draw woollen spun.

I’m now perfecting, (ha ha) my long draw technique with several hundred grams of comb waste that I have carded up. Hopefully by the time I get through that I will be proficient enough to tackle long draw spinning that large amount of Texel/Alpaca fibre!

I’ve hand knitted small samples of the both yarns The thicker spun on 6mm needles and the long-draw spun on 5mm needles

Left: Long draw spun yarn hand knitted on 5mm . Right: Thicker semi-woolen spun hand knittedon 6mm needles.

Avocado surprises

Having been eating loads of avocados last summer I dried the skins and stones for dye material later on in the year. I want sure if the colour outcome would be effected by drying so decided to try some out recently.

I took 60g dried avocado skins and two skeins of yarn; one 14g hand spun 50/50 cream wool and alpaca and 12g commercially spun 2/9nm will and nylon (sock yarn). I reckoned half yarn to dye material, but being dried may have made a difference.

I cold mordanted the yarns overnight and soaked and cooked up the skins. Stained the liquid and made up the due bath. Then gently simmered the yarn for about 60 minutes, with the skins in a muslin bag in the bath as well. After that I left the whole pot to cool overnight.

I was surprised that the hand spun did not take much colour whereas the wool and nylon took loads. Both had had same pretreatment.

Left is hand spun 50/50 wool alpaca yarn, right is wool and nylon

I will be using the will nylon in machine knit socks, so pleased with the colour. It’s not as warm as the undried skins I’ve used in the past, more like onion skin colour.

UPDATE On reflection I think the Alpaca may have influenced the way the dye was taken up by the hand spun yarn

Colour-changing yarn spun from a distaff

I’ve had a number of different colour hand dyed carded batts sitting waiting for me to find inspiration. They are all from fleece I have scored and carder myself, so are a mix of Shetland, Suffolk and Texel, with maybe a little Alpaca blended into some of them. Some are in 200g amounts, some less. I’d got a bit stuck about how to use them until I saw a useful tip by Anna from my spinning group that she has put on YouTube.

Before you start, select a group of colours that work together. After a designing session during which I wrapped different colours together, I chose five: orange, pale green, mid blue, pale blue and lilac.

Anna used a combination of hand dyed and commercial roving, but the principle is the same with your own carded batts.

1. First of all split the roving/batt into the required lengths, (I just used the whole length of the batt of my drum carder).

2. Then split each length lengthwise into 4, (or more, depending on the thickness of the roving/batt).

3. Next, lay out the colours lengthwise, next to each other in the order you want to spin them into yarn. Test this beforehand to see how they mix throughout one repeat of a yarn, and if this works for your chosen outcome, such as knitting.

4. Repeat the colour sequence three more times so you have a table full of ‘stripes’ of fibre. If you have more than four lengths let colour, carry on until all are used up.

5. Now this is the clever part. I have hand spun colour changing yarns before and got the sequence wrong because I put it all away in a box between spinning sessions. To keep the sequence do the following.

6. Take a metre + long length off ribbon and tie a pencil or empty pen across one end. This is your fibre-stopper. Tie a hand-sized loop on the other end. This is your distaff.

7. Starting at one end of the ‘stripes’, wind each length off fibre into a loose roll and slip the looped end of the ribbon through the centre hole. Carry on doing this, working methodically through the fibre lengths, keeping the colour order as mapped out in your ‘stripes’.

8. You will end up with a ‘necklace’ of colour ordered fibre rolls on the ribbon. Tie the ends together to stop the fibre sliding off.

The dyed fibre arranged on the ribbon distaff before spinning

Now to can put them in a box and they won’t get muddled. To start spinning, simply lift the necklace out, untie the ends, and slip the loop over your hand. It acts as a distaff and will hold your fibre nicely as you spin each colour.

Spinning the lengths into singles

What a great tip!

I plied the colour changing yarn with a single spun made from navy blue Corriedale. This made a lovely marl yarn that to me resembles stained glass windows. I can’t wait to see what it looks like knitted.

The plied yarn

Here is the link to Anna’s video

Having a bash at core spinning

Last night I blended some rather lumpy Southdown fleece I was trying to use up with some dyed Shetland. It was just for fun – no plan involved, just testing out my DIY blending board. When I sat at my wheel – watching ‘Hidden’, I couldn’t think what to do with it. Then I remembered seeing Lexi Boeger’s method of coreless- core-spinning in her book ‘Hand Spun’. I thought the strong colours would work well against the natural if spun in this way, so I had a go.

According to Lexi the principle is to only work with a small amount of fibre at a time, and to spread the fibres wide into a trianglular web. You spin the core with the fibres at one edge of the triangle, whilst simultaneously holding the other part of the web at right angles to this so that it can wrap around the core between your drafting hand and the orifice. Its bit like patting your head and rubbing you tummy at the same time – but once I got going I enjoyed it. There were a few messy bits, which I attribute to the lumpy Southdown myself!

I love the way the colours wrap around the natural core

I’m not sure its truly core spinning, but its on the way there and I do like the effect. The yarn was very over-twisted, but after a good soak in hot water and hanging with a light weight to dry naturally it is fine now.