Battery pack for Ashford E-spinner 3

I’ve just spent about an hour fiddling with the battery pack that came with my E-Spinner. The E-spinner was secondhand and was still unassembled and the battery never been used – the battery pack is not an Ashford one. I thought the details of the battery pack might be useful for anyone looking to buy one of these for their E-Spinner 3.

Super Rechargeable Li-ion Battery, YSN-N12V

Input: 12.5VDC

Output: 12VDC 3800mAh, (this is the DCin/out outlet, a round plug that leads to the E SPinner power plug when being run on battery).

Other output is: 5VDC 6800mAh – (the usb outlet).

Super Rechargeable Li-ion Battery, YSN-N12V

In my excitement I charged it rather haphazardly, but it has been working fine with the spinner. When I came to recharge it I found that it was not indicating charging as explained in the manual. However, a useful review on YouTube enabled me to understand what was going on. There is another lead with the battery, a round pin on one end (that is the same size as the outlet, and a much thinner pin on the other end – no idea what that is for). The lead from the battery to the E-spinner has the same sized pin on each end. It may have been purchased separately from the battery pack?

Basically the instructions were confusing about the charging process. The led on the plug the goes into the wall outlet is supposed to be red when the unit is plugged in to charge, and turn green when it is charged. The unit also must be switched on at its own on/off switch whilst charging, (if you leave it switched on when not in use it will discharge). The battery pack has five green lights on the top, one to show the pack is charged and four others labelled 100%, 75%, 50% and 25%. Nothing is said in the instructions about these, but trial and error showed that pressing the unlabelled button on the left side of the unit indicates the amount of power remaining in the unit using these lights.

I couldn’t find the battery pack on eBay or Amazon but did find it on AliExpress.

I found the same battery pack on aliexpress

I have used the battery for about 4-5 hours spinning before it needs recharging, so am really pleased with the unit. I have also bought the cigarette lighter plug connection so that I can use it on the 12v in our caravan. May be overkill as the battery is working well so far. The battery takes about 8 hours to charge.

Spinning outdoors,(well almost) – on my Ashford Espinner

Its a mix of rain and sun this afternoon, and we are in our caravan so I decided to do some spinning on my Ashford Espinner. I’ve brought four Frankenstein batts I carded from a mixture of old cream Jacobs and two pink and orange poorly dyed batches of Dorset fleece. Plus a small amount of a pretty olive green. The poorly dyed had nepps from the partial felting, and I kept some of these when carding to add texture.

These were all carded on the electric from carder in stripes. I ended up with four largish batts which I split and spun as rolags.

Below you can see how I split the batts and I worked out the TPI of the singles on the espinner.

Author’s not: I originally intended to upload this as a ‘story’ post, but after the uploads gobbled up my mobile data and it still didn’t work properly I decided to make it a normal post.

I split the large batt horizontally into smaller sections.

The smaller sections were then hand-rolled into individual rolags. Because the batt had been double carded and divided between each carding, the colours ran from side to side. I like to work with small rolags, so halved each one, but worked with through the rolags in a zig zage way so that the ends met to keep consistency to the colour grading.

Spinning singles on my Ashford Espinner in the caravan awning
Achieving the desired TPI on an espinner is based on knowing the number of flyer rotations per minute, which is controlled by the speed dial.

For this singles I wanted around 8 TPI, and I had already measured my drafting of 2″ lengths at about 40 which equals me 80″ per minute. So I multiplied the TPI x draft length per minute

8 x 80 = 640.

So I set my speed dial to where I know I get about 640rpm. Its not exact, but neither is it on a wheel, but it gave a pretty good average of 8TPI.

I plan to ply this with a plain colour, otherwise the colours become overwhelmed by each other. Maybe a rust or cream, or even a black?

Update. I eventually plied it with a Dorset singles from my stash. Made 70g of very useable yarn or approximately 7 TPI, 8 WPI and 20 degree angle of twist.

The finished yarn.

Ergonomic knitting machine table upgrade

I’ve been having back problems and unable to use my knitting machine for several months which had been frustrating. Especially as I am coming towards the end of writing my latest book and wanted to knit some of the final samples. The same was of course true of trying to sit down to write the text of the book, or do any work at the computer.

I had seen sit-stand desks, and fancied one for computer work when I first looked at the start of the panedemic in the UK, but they were terribly expensive. My son acquired one for his work as a computer programmer and it looked an interesting solution for spending a long time writing at the computer. I tried putting my computer on a static raised desk, which was great for teaching as I could move about, but then I couldn’t sit down to do the accompanying admin and ended up with real back problems. After the best part of two years struggling with WFH teaching online, (actually we were all trying to do most things online weren’t we) as well as writing a book, my back finally gave up with an acute bout of sciatica

Several months down the line I am still plagued by this problem, and have invested in a sit-stand desk converter. So far this is proving to be a solution for computer work, (along with a timer telling me to take a walk). I chose a converter because I didn’t want to lose the lovely desk my husband had built for me.

Back to the knitting machine. Yes I know this is a round about way of telling the story, but I’m getting there.

The physiotherapist from whom I am receiving treatment for my back problem suggested putting the knitting machine on a high table to improve the ergonomics of working on it. I have long wanted to do this so that I could stand whilst working on it – as if it was a Dubied – but I also sometimes want it lower, for example with or without ribber. The practicalities of moving machines from high table to low table, let alone the space I would need to do this made a static high table a poor solution. Recently, whilst investigating sit-stand converters it dawned on me that I might be able to solve both of these ‘wants’ by using a sit-stand desk as the table for my knitting machine. Having been put off by the price when I had looked before, I did a fresh internet trawl and found the price first these desks has become almost sensible – lots of demand I guess – so I decided to research a combination that would work.

The max load for the lower priced, single motor ones seemed to be 70kilos, and my machine plus ribber comes within that. Next questions were, ‘would it overbalance? and ‘would there be room for the clamps?’ I bought the powered version, frame only and we fitted a separate top so that it could be positioned to address these issues. In fact the frame is pretty sturdy, and the feet quite deep, so the balance works OK and the top overlaps at front and back sufficiently to allow room for clamps. Another advantage of fitting our own top was that the controller could be fixed to the side so it isn’t obscured by the ribber. Cable management was next, and not to arduous and then my machine was ready to zoom up and down – well not too fast!

Price-wise this solution cost probably five or six times that of a standard machine table, but I hope it will mean I can use my machine comfortably both now and in the future. So far its going well, and I am very pleased with the result. The top is wide enough for two single bed machines back to back instead of the double bed if I want to do this at some point in the future. Let’s hope it lasts long enough for me to test this arrangement!

Here is the machine on the desk, with a little demo of it rising up. The motor is a bit noisy, but nothing like as loud as the machine!

Googling myself again!

I took a quick look at the Amazon page for my book Translating Between Hand and Machine Knitting and thought I would share some reviews.

I notice that subscribe wishes to express their annoyance because the price has been reduced. I fully appreciate how annoying this can be, and wonder if retailers understand how this upsets customers. I felt similarly annoyed when I bought a new drawing tablet only to see it was reduced by £40 in the Black Friday sale two weeks later! They wasn’t much I could do but accept that I’d had two week’s use of the tablet already, (working on my next book). So although this is beyond my control, my apologies to anyone to whom this has happened.

So moving on from issues of frustrated shoppers, here are some of the very nice things said about the book.

JayBards from the US writes, ‘5.0 out of 5 stars Excellent Coverage of Topics, Great Photos and Illustrations’, and finishes the review with, ‘The text is really well-written, very clearly presented, easy on the eyes, and a pleasure to read. This book will become an important part of my extensive library on knitting. In short, I LOVE this book! Congratulations to Dr. Haffenden on an excellent book that should become a classic.’

Thank you JayBard for your feedback and review.

Meceo from Canada writes, ‘This is one of the best books I’ve purchased covering the hand knit patterns converting to knitting machines. It is beautifully done with lots of photos and information to help anyone interested in this type of knitting.’

Sharon Sullivan from the US writes. ‘Very well written book. Haven’t had the book very long, but the time I’ve spent going through it so far, it’s an A+ book. Content is excellent. Photography is excellent. Easy to understand. Definitely worth the cost. I don’t usually do reviews, but think everyone should know that this book will help a machine knitter immensely.’

Its so helpful as an author to get feedback, and positive criticism, (suggesting improvements rather than just pointing out what you don’t like) is the most helpful.

So thanks to all who have taken time to review my book and help others decide if it is right for them.

Distaffs

I recently read an article in SpinOff about distaffs and decided to try using one when spinning in a wheel, not just on a drop spindle. Luckily I had a handy drumstick lying around that I use to roll rolags off the blending board and it is just about the right length and weight. Its varnished surface also helps the wool slide off easily as I take it from the distaff.

At the moment I am spinning Ryeland fleece and have been preparing batts on the drum carder. I used to be able to take a roving off but since the carder was motorised its not so easy as it won’t rotate freely. So now I split the batts into narrower lengths to wind around the distaff. This seems to work OK and after a spray with spinning oil I find the fibre supply much easier to handle in this manner. Using my (new) large double drive wheel I get a good speed up and even doing short draft can spin a surprising amount, (for me anyway) at a sitting.

I will carry on with this and see how it works out. I may even get to attach the distaff to one of the wheel uprights which might be even more efficient.

Distaff held in my waistband, but sometimes under my arm or in my outside fingers.

Spinning a balanced yarn

The fleece I am working with is not brilliant, but I am using it to practise making a balanced, soft spun woollen yarn for knitting. To do this I read up on Mabel Ross’ method, and with a little tweaking to suit my preferred yarn handle, it worked!

Mabel Ross worked it out for us and it is quite logical really. You do need to know your wheel’s ratios, work consistently with your draft and count your treadling to start with, so if thats not your style, don’t go there.

I was aiming for around 2tpi in the finished yarn, but actually increased this a little after the first samples.

The equation is to do with spinning the singles at the tpi you want and then plying them to get the final tpi you want. Its really helpful to remember that if you spin your singles Z, when you ply them S you will be unwinding some of the single’s twist. (update- I have subsequently spun some yarn at a much higher tpi using a 1:10 whorl that has come out soft after a similarly balancing plying method. Maybe I’m getting it…)

I worked backwards from my 2tpi goal.

For example: I was working with a 1:6 whorl, therefore one revolution of my wheel would turn the bobbin 6 times. I was spinning ‘Z’ twist with a long draw of 12″.

First of all I needed to know how many treadles to the 12″ draft would give me the tpi I required. Yes I know I’ve muddled metric and imperial, but it still works.

Number of treadles = (required tpi x planned draft length)/ divided by wheel ratio (which i know will be 6)

tpi of my singles = tpi of my plied yarn divided by number of plies

II reckoned that if I want 2tpi in the plied yarn, I needed to spin the singles at around 4tpi.

The equation I worked with using MR method to find out how many treadles I needed to a set draft length was:

tpi = (wheel ratio x treadles)/divided by draft length.

Go back to the earlier question of how many treadles?

Number of treadles = (required tpi x planned draft length)/ divided by wheel ratio (which i know will be 6)

which came out as

tpi (4) x draft (12″) = 48/6 = 8.

So 8 treadles using the 1:6 whorl to a 12′ draft should give me 4tpi. in my singles…

Well I wrote this post a while ago, and since then have done some spinning. It was not successful, way to soft and loose spun for my taste, but a balanced yarn – no twisting and it knits without bias.

I upped singles tpi a little and also the ply by a smaller amount and the yarn improved. and stayed balanced! A lesson learned.

First ‘in person’ TAG meeting of 2021

Our local Textile Arts Group (TAG), finally managed to meet today. Eight of us met up with Covid secure arrangements and as the weather was sunny we were in fact able to sit outside the hall to spin, knit and talk.

It was lovely, and everyone has been busy learning new things and perfecting their skills during lockdown.

Wheels all going madly
Natural dyed fibre

I took my Louet Victoria folding wheel and spun up a bag of Suffolk fibre that will be used as the core for a fancy yarn.

New members are always welcomed. If you live near Brighton and like to know more, or would like to come for a taster session, do get in touch.

With good weather, fleece washing starts…

Although I promised myself not to get any more fleece until I had emptied my cupboard, I’ve cheated . Well only a bit. Over the winter I have used a lot up, but not all of it!

Having been to Herefordshire and seen the Ryeland sheep sculpture in Leominster I read up about the Ryeland breed and wanted to try a fleece. From what I understand the Ryeland was one of the breeds that can from the Romans crossing their imported Merino sheep with local British breeds. This is probably why they look like Teddy Bears with dense fleece. This breed was instrumental in the success of the British wool trade in the Middle Ages and after, which laid the foundations for wealth in Britain, especially in Herefordshire. Fascinating stuff!

The Old Market hall. Tenbury Wells.
Sculpture of a Ryeland sheep in Leominster.

The long and the short of it is that I now have a Ryeland fleece to play with. I sorted out today and have started to wash it with promising results. Not to much VM, but a bit yellowed – the name for this escapes me right now, is it ‘yoked’? I’m guessing its last years crop.

You can see a staple in the photo, and i’ll post once I start spinning. I plan to spin Long Draw, ply and then to dye it.

Washed Ryeland staple. Its about 3.5 inches when straight, but is quite crimpy. Yummy.

Woolly Umbrella, new website

I belong to a local community textile group, and we have just launched our new website. Please take a look and see what we have been doing. Of course that has not been a lot since April 2020 as much of what we do involves going to outside events to share skills and demonstrate.

Lets hope the coming year will allow us to start doing this again. Meanwhile we have been meeting (in 6’s only) during the summer to spin outdoors, but the latest lockdown, along with the colder, shorter days has put a stop to that. Online meetings are OK, and I have organised a few, but its not the same!

We hope to be able to take ourselves along to demonstrate natural dyeing, eco dyeing, spinning, and fibre preparation at Bentley Wood Fair near Ringmer in September. Allan will hopefully demonstrate his fascinating nettle fibre preparation methods, and we will all be suitably masked and socially distanced of course.

Colour-changing yarn spun from a distaff

I’ve had a number of different colour hand dyed carded batts sitting waiting for me to find inspiration. They are all from fleece I have scored and carder myself, so are a mix of Shetland, Suffolk and Texel, with maybe a little Alpaca blended into some of them. Some are in 200g amounts, some less. I’d got a bit stuck about how to use them until I saw a useful tip by Anna from my spinning group that she has put on YouTube.

Before you start, select a group of colours that work together. After a designing session during which I wrapped different colours together, I chose five: orange, pale green, mid blue, pale blue and lilac.

Anna used a combination of hand dyed and commercial roving, but the principle is the same with your own carded batts.

1. First of all split the roving/batt into the required lengths, (I just used the whole length of the batt of my drum carder).

2. Then split each length lengthwise into 4, (or more, depending on the thickness of the roving/batt).

3. Next, lay out the colours lengthwise, next to each other in the order you want to spin them into yarn. Test this beforehand to see how they mix throughout one repeat of a yarn, and if this works for your chosen outcome, such as knitting.

4. Repeat the colour sequence three more times so you have a table full of ‘stripes’ of fibre. If you have more than four lengths let colour, carry on until all are used up.

5. Now this is the clever part. I have hand spun colour changing yarns before and got the sequence wrong because I put it all away in a box between spinning sessions. To keep the sequence do the following.

6. Take a metre + long length off ribbon and tie a pencil or empty pen across one end. This is your fibre-stopper. Tie a hand-sized loop on the other end. This is your distaff.

7. Starting at one end of the ‘stripes’, wind each length off fibre into a loose roll and slip the looped end of the ribbon through the centre hole. Carry on doing this, working methodically through the fibre lengths, keeping the colour order as mapped out in your ‘stripes’.

8. You will end up with a ‘necklace’ of colour ordered fibre rolls on the ribbon. Tie the ends together to stop the fibre sliding off.

The dyed fibre arranged on the ribbon distaff before spinning

Now to can put them in a box and they won’t get muddled. To start spinning, simply lift the necklace out, untie the ends, and slip the loop over your hand. It acts as a distaff and will hold your fibre nicely as you spin each colour.

Spinning the lengths into singles

What a great tip!

I plied the colour changing yarn with a single spun made from navy blue Corriedale. This made a lovely marl yarn that to me resembles stained glass windows. I can’t wait to see what it looks like knitted.

The plied yarn

Here is the link to Anna’s video