How often do we have such gorgeous weather in May in the UK?
So I decided to take advantage of it by having a swim and then sitting down with my spinning wheel to spin up some Jacob’s rolags I’d carded last night. What more perfect way of spending on Friday afternoon.
Ok the garden needs attention and I’ve got plants to plant out and I should be writing and all sorts of things, but sitting in the sun and spinning just seemed undeniable.
See more about machine and hand knitting and hand spinning on my ‘Vikkikit’ YouTube channel.
Yesterday I had a fab time at a workshop learning to spin fancy yarns. We only managed boucle and slub but that was so rewarding. The workshop was organised by the Brighton and Hove Textile Arts Group and hosted by Spring Farm Alpacas in Fletching West Sussex. Ann Dishman led the workshop and provided Blue Faced Leicester tops, still various and other threads for us to spin with.
Although I have spun both types of yarns before, I learned a lot and really enjoyed having four hours in which to practise the techniques. I also found out that Ann had been taught to spin by my spinning hero, Mabel Ross, which made me extremely envious.
Unwashed boucle, Blue Faced Leicester singles and loops, cotton binder. Unwashed the boucle was a bit lively, but it balanced out nicely after a strenuous washing.
Unwashed soft slub; Blue Faced Leicester singles with a fine industrial wool binder.
I took my Louet Victoria travel wheel and at usual she spin well and reliably, it was the user who made the mistakes!
Although it’s taken me a while I have finally finished this cushion.
Front of the cushion. A tufted chequer board that is very tactile and squishy.
The front is Rya tufted and woven with a British wool rug yarn on a linen/cotton warp. The black tufts are Shetland staples and the cream is a mixture of Devon/Dorset staples. Although it’s not that clear in the photo, the squares are reversed; black edging with a cream centre and cream edging with a black centre.
The reverse of the cushion is a faux waffle weave in the same rug yarn that underlies the Rya tufts. Because my rigid heddle loom is only a 20 inch wide, the cushion is composed of four pieces.
I took the opportunity to insert a zip in the centre back seam.
Instead of feathers or polyester wadding, the cushion is filled with a pad of lofty carded wool fleece. I will use this cushion to make my chair extra comfortable whilst spinning at my wheel.
This was taken at Traditions in the Making, a Heritage Craft event at Stanmer Park, Brighton. With lots of volunteers from local community textile group Woolly Umbrella, alongside the CSM there were demonstrations of flax processing, lace making, weaving, inkle looms, wool fibre preparation (hand and drum carding), embroidery and wool and flax spinning.
The CSM is an Imperia with an 84 slot cylinder and gm here I am knitting a sock in traditional 3ply sock wool; no nylon. This was the nearest we could get that was most like the wool probably used originally on the machine. Although I have knitted on it with hand spun I felt that demonstrating required enough concentration without the worry of irregular yarn!
Two types of socks in the 3 ply yarn, fake rib and true rib.
In a brave, but foolish, moment I decided to try a toe-up sock at one point. It wasn’t too bad at all, and I am quite pleased with the result.
Having acquired a Devon/Cornwall fleece that is quite similar to a Romney in feel and quality, I thought I’d dye some for blending. This fine will be great to comb for a semi-worsted spun yarn.
One of my favourite methods for safely dyeing fleece without matting the fibres is to use a slow cooker. I have a large family sized one that will dye 100g comfortably and 150g at a pinch, and a single-person one that does 20g for samples etc.
Using a pre-mixed colour I’ve used before I did a blue first. However, on this fleece it came out darker than I anticipated, but will probably lighten up once combed or carded and spun.
From the remains of the dyebath I got a pretty light turquoise.
The blue at the back, turquoise at the front
I have combed these colours as shown in this video.
Note that in this video I talk about ‘roving, but technically I am making ‘tops’. Roving is a similar narrow length of fibres drawn off a drum carder (usually, but can be hand carders) and has a slight twist added to keep the fibres together. After combing, both colours have come out as I hoped.
I also wanted an olive green, and have a recipe that worked perfectly on a Dorset fleece last year. I must have made a mistake somewhere, because I got a dark green instead. Maybe it is the different fleece, but I think I got my proportions wrong!
Pretty enough, but not olive green!
Once again they was some colour left in the bath, so in went 100g of Dorset fleece. OMG, the colour was bright! No idea what I did wrong, but it makes me blink.
The only compensation is that the fleece has not called at all due to using the slow cooker method.
That bright green total exhausted the dye – no surprise really! I will probably card this as the staples of the Dorset fleece are short and it is a soft fibre. Great for soft woollen spun yarn.
If you are interested in discovering the difference between different terms such as roving, tops etc, click here to read Abby Franquemont on Spin Off.
Its a mix of rain and sun this afternoon, and we are in our caravan so I decided to do some spinning on my Ashford Espinner. I’ve brought four Frankenstein batts I carded from a mixture of old cream Jacobs and two pink and orange poorly dyed batches of Dorset fleece. Plus a small amount of a pretty olive green. The poorly dyed had nepps from the partial felting, and I kept some of these when carding to add texture.
These were all carded on the electric from carder in stripes. I ended up with four largish batts which I split and spun as rolags.
Below you can see how I split the batts and I worked out the TPI of the singles on the espinner.
Author’s not: I originally intended to upload this as a ‘story’ post, but after the uploads gobbled up my mobile data and it still didn’t work properly I decided to make it a normal post.
Cream Jacobs, pink and orange Dorset (a bit felted during dyeing) and a small amount of olive green Dorset fleece drum carded into several Frankenstein battsFor once I remembered to divide the rolags evenly between two bobbins for easy plying later on.
I split the large batt horizontally into smaller sections.
The smaller sections were then hand-rolled into individual rolags. Because the batt had been double carded and divided between each carding, the colours ran from side to side. I like to work with small rolags, so halved each one, but worked with through the rolags in a zig zage way so that the ends met to keep consistency to the colour grading.
Spinning singles on my Ashford Espinner in the caravan awning
Achieving the desired TPI on an espinner is based on knowing the number of flyer rotations per minute, which is controlled by the speed dial.
For this singles I wanted around 8 TPI, and I had already measured my drafting of 2″ lengths at about 40 which equals me 80″ per minute. So I multiplied the TPI x draft length per minute
8 x 80 = 640.
So I set my speed dial to where I know I get about 640rpm. Its not exact, but neither is it on a wheel, but it gave a pretty good average of 8TPI.
I plan to ply this with a plain colour, otherwise the colours become overwhelmed by each other. Maybe a rust or cream, or even a black?
Update. I eventually plied it with a Dorset singles from my stash. Made 70g of very useable yarn or approximately 7 TPI, 8 WPI and 20 degree angle of twist.
Follow the link below to read about how my old drum carder has got a new lease of life. This modification makes it so much easier to achive high quality carded fibre.
Vikki Haffenden 