Solar dyeing from the garden waste

As mentioned in my previous post we have a lot of fruit in the garden, a large amount of which is from a prolific Mulberry tree. I’ve made jam,  jelly, syrup, sauce, dried them and made fruit leathers. Plus Ross is making wine from three kilos of them.

One of the problems with mulberries is they have big pips and a stalk that is difficult to get out. Many of the things I’ve made have involved cooking the fruit up and then putting it through a Mouli or nylon sieve to get the pulp and juice and then working with that. As we have a lot of apples I use the windfalls to make pectin and sometimes add a few apples to give some body to the pulp.

Of course you end up with a lot of mulberry mush with pips and stalks in it. However this still retains the really strong color, and staining ability, that the complete mulberries have. So I decided to do some dying with the pulp. Last year I solar dyed with raspberries, which gave me a gentle pink, so this year I worked with the mulberry pulp in a similar manner. I use my own handspun yarn and solar dying with the mulberry pulp, which gave a pretty, pale crimson. I boiled up the mulberry mush again with a bit more water and added any berries that hadn’t been good enough to go into the jam. When I thought I got as much color into the liquid that I was going to get I strained the liquid off through a fine sieve, being careful not to squash the pulp through as well. The liquid went into a big jar with 1% alum solution, some salt and a dash of white vinegar. After a good stir  the dye jar was ready. 

Before I started all this I had put a 100g hank of handspun wool  yarn to soak in hot water with washing up liquid and a little bit of soda. Although the yarn had been washed already, this extra soak and the soda in particular, removed any remaining oil, ready for it to take the dye. The yarn had been spun and plied 2ply from a Lleyn fleece.

After rinsing and removing extra water from the yarn I put it damp into the dye jar, put the lid on and gave it a good shake to distribute the dye around you the yarn. My plan was to shake the jar every day whilst it sat in the sun for a week to ten days, but I forgot so the hank is a slightly lighter colour one end, which is pretty but not a solid color I had intended.

I follow the same process with marigold petals that I’d gathered  when deadheading the marigolds I’d grown this summer. These had been left to dry and were cooked up and strained in the same way as the mulberries. After removing this yarn, which was only a small hank, from the dye jar I found that one of the singles had taken the color much better than the other. This is because the 2 ply yarn on the bank was plied from two different fleece singles that were on odd bobbins, and I don’t remember which  forever either were from. So an interesting dye experiment, but lacking the control of knowing the fleece type.

On the left is the mulberry and on the right is the marigold dyed yarn.

Ready to spin

An hour spent blending on the drum carder has got me set for some serious spinning.

The yellow and natural are broken Merino tops that I picked up at the John arbon Open Day last year.  I’ve blended these in equal parts with a very strong ultra marine blue which I won in my local Guild raffle.

I tested this first on hand carders and it produced a very nice yarn so now I’ve done it in bulk and taken rolags of a batt from the drumcard.

The singles so far.

I’m aiming for a 2 ply hand knit weight yarn, so spun the singles trying to let in a bit more fibre than I usually do. I read once that as you become more proficient at spinning you tend to spin finer, and that does seem to have been the case. Not that I’m claiming to be brilliant at it, just more practiced than I was.

This was spun the 1:8 whorl on my Louet S95 ‘Victoria’, which is the little folding portable wheel I take out to demonstrations. I aim to ply at the same ratio although I know it will probably work out a bit less. I am looking forward to spinning and plying this.

Spinning at the WSRA Steam Rally

Today I’m with the Somerset Guild of Weavers, Spinners and Dyers,  demonstrating spinning at the WSRA Steam Rally in Norton Fitzwarren. I have brought my dinky Louet S95 Victoria with me and a trolley to take it all back across the showground.

 Because plain colour fleece doesn’t always look so interesting to the public I am blending yellows, now and cream tops on hand carders make a heathery yarn. 

https://www.somersetguildwsd.org.uk/

https://steamrally.org.uk/

Blending coloured tops on hand carders

Somerset Guild of Weavers, Spinners and Dyers Skill Share day

Yesterday, Easter Saturday was the Guild Skill Share. There were many generous members who shared their knowledge and skills in weaving, knitting and spinning related sessions.

Kathy and I offered a Wool Fibre Preparation day so that members could have an induction on the Guild equipment or bring their own carders and combs etc. along to learn how to use them or just pick up some tips.

The morning was all about using swing or box pickers and hand and drum carders plus how to use these for blending. After lunch we tackled wool combing using a  pair of English Combs and smaller Valkyrie ones plus blending in a heckle.

We enjoyed running the session and everyone seemed happy. After my initial H&S talk it was me that pricked my finger on the combs!

Fancy yarn workshop; spinning boucle yarn

Yesterday I had a fab time at a workshop learning to spin fancy yarns. We only managed boucle and slub but that was so rewarding. The workshop was organised by the Brighton and Hove Textile Arts Group and hosted by Spring Farm Alpacas in Fletching West Sussex. Ann Dishman led the workshop and provided Blue Faced Leicester tops, still various and other threads for us to spin with.

Although I have spun both types of yarns before, I learned a lot and really enjoyed having four hours in which to practise the techniques. I also found out that Ann had been taught to spin by my spinning hero, Mabel Ross, which made me extremely envious.

Unwashed boucle, Blue Faced Leicester singles and loops, cotton binder.
Unwashed the boucle was a bit lively, but it balanced out nicely after a strenuous washing.

Unwashed soft slub; Blue Faced Leicester singles with a fine industrial wool binder.

I took my Louet Victoria travel wheel and at usual she spin well and reliably, it was the user who made the mistakes!

Rya weave cushion completed

Although it’s taken me a while I have finally finished this cushion.

Front of the cushion. A tufted chequer board that is very tactile and squishy.

The front is Rya tufted and woven with a British wool rug yarn on a linen/cotton warp. The black tufts are Shetland staples and the cream is a mixture of Devon/Dorset staples. Although it’s not that clear in the photo, the squares are reversed; black edging with a cream centre and cream edging with a black centre.

The reverse of the cushion is a faux waffle weave in the same rug yarn that underlies the Rya tufts. Because my rigid heddle loom is only a 20 inch wide, the cushion is composed of four pieces.

I took the opportunity to insert a zip in the centre back seam.

Instead of feathers or polyester wadding, the cushion is filled with a pad of lofty carded wool fleece. I will use this cushion to make my chair extra comfortable whilst spinning at my wheel.

Weaving today for a relaxing time

Today is ‘me time’, weaving with a local group, mostly members of the West Sussex Guild. Although I love knitting, it can sometimes seem like work because of my teaching and writing career. Weaving however, is a new skill to learn just for pleasure. Even though I haven’t heard grasped all the basics I am having fun designing fabrics using the simpler techniques.

Waffle effect in 100% British wool. This will be the having for the Rya weave cushion cover front I have already completed.

Typically I have already acquired two kinds, both rigid heddle type, but perfect for my early steps.