Today I was invited as a member of the Somerset Guild of Weavers, Spinners and Dyers to demonstrate spinning at the Heritage Craft Show hosted by Coldharbour Mill in Uffculme. It is a fascinating working museum with wonderful old textile machinery. Well worth a visit.
Home
Yesterday I had a fab time at a workshop learning to spin fancy yarns. We only managed boucle and slub but that was so rewarding. The workshop was organised by the Brighton and Hove Textile Arts Group and hosted by Spring Farm Alpacas in Fletching West Sussex. Ann Dishman led the workshop and provided Blue Faced Leicester tops, still various and other threads for us to spin with.
Although I have spun both types of yarns before, I learned a lot and really enjoyed having four hours in which to practise the techniques. I also found out that Ann had been taught to spin by my spinning hero, Mabel Ross, which made me extremely envious.
Unwashed soft slub; Blue Faced Leicester singles with a fine industrial wool binder.
I took my Louet Victoria travel wheel and at usual she spin well and reliably, it was the user who made the mistakes!
Although it’s taken me a while I have finally finished this cushion.
The front is Rya tufted and woven with a British wool rug yarn on a linen/cotton warp. The black tufts are Shetland staples and the cream is a mixture of Devon/Dorset staples. Although it’s not that clear in the photo, the squares are reversed; black edging with a cream centre and cream edging with a black centre.
The reverse of the cushion is a faux waffle weave in the same rug yarn that underlies the Rya tufts. Because my rigid heddle loom is only a 20 inch wide, the cushion is composed of four pieces.
Instead of feathers or polyester wadding, the cushion is filled with a pad of lofty carded wool fleece. I will use this cushion to make my chair extra comfortable whilst spinning at my wheel.
Today is ‘me time’, weaving with a local group, mostly members of the West Sussex Guild. Although I love knitting, it can sometimes seem like work because of my teaching and writing career. Weaving however, is a new skill to learn just for pleasure. Even though I haven’t heard grasped all the basics I am having fun designing fabrics using the simpler techniques.
Typically I have already acquired two kinds, both rigid heddle type, but perfect for my early steps.
Having acquired a Devon/Cornwall fleece that is quite similar to a Romney in feel and quality, I thought I’d dye some for blending. This fine will be great to comb for a semi-worsted spun yarn.
One of my favourite methods for safely dyeing fleece without matting the fibres is to use a slow cooker. I have a large family sized one that will dye 100g comfortably and 150g at a pinch, and a single-person one that does 20g for samples etc.
Using a pre-mixed colour I’ve used before I did a blue first. However, on this fleece it came out darker than I anticipated, but will probably lighten up once combed or carded and spun.
From the remains of the dyebath I got a pretty light turquoise.
I have combed these colours as shown in this video.
I also wanted an olive green, and have a recipe that worked perfectly on a Dorset fleece last year. I must have made a mistake somewhere, because I got a dark green instead. Maybe it is the different fleece, but I think I got my proportions wrong!
Once again they was some colour left in the bath, so in went 100g of Dorset fleece. OMG, the colour was bright! No idea what I did wrong, but it makes me blink.
That bright green total exhausted the dye – no surprise really! I will probably card this as the staples of the Dorset fleece are short and it is a soft fibre. Great for soft woollen spun yarn.
If you are interested in discovering the difference between different terms such as roving, tops etc, click here to read Abby Franquemont on Spin Off.
I’ve been running a suint bath for washing fleeces this summer. Whilst the temperatures are reasonably good the suint has worked well. I’ve actually finished washing all the fleeces now so we’ll probably use the diluted suint bath as fertilizer.
Suint is explained it chemical terms by other people far better than me, but basically it means that the fleece soaks in a liquor composed of the sweat and dirt and developing microbes. The bath is built up from other fleeces. I use the dirtiest fleece first as that made the best base for the suint and have worked through 5 fleeces weighing about 1-2 kg each before going into the bath. I skirt and sort the fleece first because I don’t see the point in washing really dirty stuff that’s never going to come clean, but I equally try to preserve as much of the fleece as possible. I’ve got a bucket of the really unsalvageable stuff soaking so that I can use that liquid as a fertiliser as well.
I didn’t take a photograph of the locks of this Scoth Mule fleece before the suint bath so can’t make a comparison but it has come up beautifully clean.
My process was as follows. I laid The fleece out on a mesh grid cleaned as much of the dirt out as I could by shaking it and then skirted it. Next I sorted it into qualities, picked out as much vegetable matter as I could. Each quality was put into several smallish mesh laundry bags and then into the suint in manageable quantities. The suint bath really stinks, which I think must be caused by ammonia, as it makes my eyes water!
I left the fleece in the suint for 5 to 7-days then using rubber gloves and, with a peg on my nose, I removed it and left it to drain. Once it was drained, I rinsed it in a couple of changes of clean, cold water. Because I didn’t want to put the stinky mess in spin dryer I swung and it around to remove excess water.
Next I washed the fleece in batches in hot water with Eurolana wool wash. This is good as it cleans well without loads of suds so rinses out easily. The smell was slowly fading, but even after two rinses it lingered.
A final spin and then the fleece was emptied out of the mesh bags into a two-tiered flat mesh dryer. This goes outside and by the time the fleeces are dry the smell has gone. Phew.
I purchased these two fleece in July and due to family and work things didn’t get around to washing them until August. They are what I believe is called Scotch Mule, a cross between Blue Faced Leicester and Scottish Blackface. These two were classed as ‘more BFL than Blackface’ which is what attracted me.
I set up a suint bath for them which is still going strong, (and I mean STRONG in an olifactory way when it is disturbed. The suint does clean well, but my family are threatening to leave home if I continue for much longer. Only four more bags need to be washed, and are soaking in the ghastly liquid right now.
They have come up nice and white with delightfully soft locks. There is stil some VM to be picked out during combing, but it wasn’t too bad overall. Some dirty tips have had to be removed.
I am very excited about starting to process the fleece using a set of Viking wool combs. I used these for a Lleyn fleece last year and was pleased at how fast I got at the combing (though sadly not as fast as carding).
Should I dye the locks before hand or after spinning? To be honest there is so much I could do some and some. The average staple in one fleece is 7″ and the other is 9-10″, which is going to lovely for worsted spinning.
I recently read an article in SpinOff about distaffs and decided to try using one when spinning in a wheel, not just on a drop spindle. Luckily I had a handy drumstick lying around that I use to roll rolags off the blending board and it is just about the right length and weight. Its varnished surface also helps the wool slide off easily as I take it from the distaff.
At the moment I am spinning Ryeland fleece and have been preparing batts on the drum carder. I used to be able to take a roving off but since the carder was motorised its not so easy as it won’t rotate freely. So now I split the batts into narrower lengths to wind around the distaff. This seems to work OK and after a spray with spinning oil I find the fibre supply much easier to handle in this manner. Using my (new) large double drive wheel I get a good speed up and even doing short draft can spin a surprising amount, (for me anyway) at a sitting.
I will carry on with this and see how it works out. I may even get to attach the distaff to one of the wheel uprights which might be even more efficient.
Distaff held in my waistband, but sometimes under my arm or in my outside fingers.
A bit like outdoor anything – providing its not raining or freezing – spinning is enhanced by the open-air. I took my little Louet wheel with me whilst on holiday on the Pembroke coast recently. We were being careful and avoiding towns etc in our caravan sitting on a farm, so there was plenty of opportunity to spin in the lovely sunshine. It seems ages ago now, but was so refreshing.
I took a bag full of mixed colour Jacob’s fleece and sorted it into dark and light before hand carding it. Ifirst of all spun a skein of cream to test the tpi and grist I was aiming at and on a rainy day decided to dye it with the onion skins from our soup.
All very earthy!
I can’t resist a marl yarn, so plied the colours into variations on this.
Vikki Haffenden 